7/29/2012

EastWest Ministry of Rock Virtual Instruments Collection Review

EastWest Ministry of Rock Virtual Instruments Collection
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In the past, I would spend hours trying to make other guitar sample sets sound realistic. I tried some that sounded decent, but they were lacking the "oomph" of today's rock, and I still had to fight to keep them from sounding synthesized. Enter Ministry of Rock. Rythmn guitar? Instantly realistic chords that flow together almost seamlessly, with meaty muted chunks. Solos? Great sounding ones can be pieced together with minimal effort. It's like a dream.
Drums (especially the Ludwig set) are powerful and deep. And as for the basses... well, if there's anything that MoR has taught me, it's that there's a HUGE difference between a recorded bass, and a bass that's been recorded (and played!) properly. The basses offer nearly as much flexibility as the solo guitars, and have more than enough energy to hold their own.
I haven't gotten too much into the included acoustic, but from fooling around with it on the keyboard, it seems extremely playable, with an absolutely massive number of chord variations (flats, sharps, etc). It's chords only, but Gypsy has a plucked version that matches up nicely, if you find it necessary.
If there's one thing I have to complain about (and it's more of a minor quibble), it's that the guitar chords are limited to a single range of tuning on the guitar. I would have liked to have had some extra samples with the guitar detuned a bit, for some lower-range sounds.
As the reviewer below mentioned, it does require a seperately purchased iLok key (which can store a hundred or so registration codes), but that comes with benefits of it's own, such a license portability. So it's either a pro, or a con, depending on how you look at it. I run it at home as well as work, so it's a great bonus for me.
All that aside though, Ministry of Rock is definitely my new sample set of choice.

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Ministry of Rock is a huge collection of rock drums, basses, and guitars recorded in EastWest Studio 2. This virtual instrument collection is a modern day rock toolkit that covers a myriad of styles. Songwriters, film, TV, and game composers as well as drummers and guitarists will find this library fun and useful. It features great sound quality and playability.The Ministry of Rock collection features sounds used in today's popular music and the entire library was created with one goal in mind: to create a virtual instrument capable of producing sounds that could actually produce a hit record or film score without any live drum, bass, or guitar overdubs. Articulations and programming was all reverse engineered from actual performances.PLAYPowered by EastWest's PLAY 64-bit (and 32-bit) Advanced Sample Engine with built-in Network Control (plug-in or standalone), this virtual instrument combines intuitive handling with excellent sound quality, and functions as a plug-in instrument, without the need for a sampler. It includes impulses from the same hall the producers used to record Symphonic Orchestra and Symphonic Choirs so the pianos can blend smoothly with those collections.Load more thanks to 64-bit support64-bit support allows you to load many more instruments and voices, limited only by your system RAM (32-bit support is included also)While most high-end computers will support 16GB, a very small set of high-performance enterprise computers (with Microsoft Vista Ultimate) can already use 128GB of RAM. As hardware develops, the theoretical limit is 17,179,869,184 gigabytes = 16 exabytes, or 17 billion gigabytes.Networking SupportIf you still need more power, the built-in NETWORK CONTROL allows you to load instruments on other machines controlled from your host computer. This means no more trips back and forth between computers, or KVM switching when loading projects. This also means there's no need to buy additional software. The PLAY system is a professional, full

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Ivory II: Italian Grand Review

Ivory II: Italian Grand
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I just received my copy of Ivory's Italian Grand II and I am very impressed with the sound and sensitivity of this instrument. I also own Ivory Grands and my favorite among those (Bosendorfer, Steinway, Yamaha) is the Steinway. My setup is Mac-based. I have a Mac Pro set up with a striped RAID array for video and Ivory pianos and I use an EMU 404 USB for the MIDI input. I use Bose headphones for playback.
The Italian Grand II blew me away. I will be spending many hours recording on this piano. The sound is magnificent. I have been waiting for 15 years for the technology to get this good. I am not sure if I will get better results from my 7ft 6inch Kawai grand but I will have fun comparing them. If you enjoy playing piano and you have a decent computer setup (external firewire 800 drive or eSATA or RAID array, 2GB RAM (or more) and dual processors) and MIDI keyboard, this product is a no-brainer. You're going to have fun - I guarantee it!
Rumor is that this is a Fazioli and I would not be surprised. I played a Fazioli once in a store and it is exquisite. This makes you want to take out all your music out and settle in for the day! Fantasic value!

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Ivory II Italian Grand is the second product in Synthogy's newest generation of virtual piano technology. Featuring a greatly expanded sound set of the extraordinary 10 foot Concert Grand Piano, and fully integrated with the powerful new Ivory II piano DSP engine with Harmonic Resonance Modeling for true Sympathetic String Vibration, Ivory II Italian Grand shines like never before.This exceptional piano is one of the world's greatest and most sought after Concert instruments. Handcrafted in Italy, it is also one of the world's most expensive and exclusive Concert Grands, renowned for its expressive dynamics and full-bodied character. Its tone is remarkably versatile, equally at home in large scale classical works, intimate jazz playing, as well as a full range of pop styles. The beauty of this instrument is captured in greater detail than ever, with up to 18 velocity levels, additional soft pedal and release samples and pedal noise enhancements. Synthogy's decades of expertise in piano development, along with proprietary "timbre interpolation" technology combine to deliver the unrivaled playability and expressiveness that Ivory is famous for.Ivory II Italian Grand is the second product in Synthogy's newest generation of virtual piano technology. Featuring a greatly expanded sound set of the extraordinary 10 foot Concert Grand Piano, and fully integrated with the powerful new Ivory II piano DSP engine with Harmonic Resonance Modeling for true Sympathetic String Vibration, Ivory II Italian Grand shines like never before.

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7/28/2012

Giardinelli Universal Klip-Light Review

Giardinelli Universal Klip-Light
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Stand light
This lamp is made by Wiese Mfg. Co., Davenport Iowa. They call it the "Universal Klip-Lite".
From what I see other musician's using, this seems to be the most popular stand light on the market. That doesn't mean it's the best, just the most used.
Pros:
- Accepts a wide variety of incandescent bulbs, such as tubular showcase bulbs from 20 to 60 watts or a 40-watt appliance bulb. A 13-watt compact florescent bulb also fits, in which case the metal shade won't get hot. A 40 watt incandescent bulb provides good lighting for two pages of music in an otherwise dark room. 25 watts may not be bright enough if you're 55 or over.
- Clips onto any of the "black" stands, such as the Manhasset or Hamilton, and stays put with its strong spring. Can even be used on some of the cheaper folding stands if there is enough for the clip to grab.
- Fully adjustable for lamp angle, height, and distance from music shelf.
- I've had two of these for over 20 years, and a switch has never failed.
- Not expensive.
Cons:
- Poor design of lamp head pivot point mechanism results in the lamp eventually drooping or slipping down. Tightening the pivot screw fixes it for awhile, but it invariably loosens again. Repeated tightening over time will bend the metal parts. If it droops when you're at a gig or rehearsal, you'll wish you had the tools with you to tighten it.
- Mount this light on a stand (e.g., a Manhasset), and a standard music folder no longer fits.
- Minor issue: the cord at the lamp end is a bit in the way, as it comes directly out of the bulb-socket, instead of out of the rear of the lamp. Also, the cord should be at 8', rather than 6'.
See Customer Images to see how I fixed these problems.
Summary:
Gets the job done, but it needs improvement; and a customer should not have to immediately modify a product to fix design defects.

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The Universal Klip-Light fits on any music stand or piano rack, and the strong clamp holds firmly to even polished metal surfaces. The clip-on light features an adjustable angle lamp and tilting black textured shade. The Universal Klip-Light accepts standard 15W bulb or 20W-25W-40W showcase bulbs (not included). 120V AC.

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7/27/2012

Miroslav Philharmonik Classik Edition Orchestra Module Software Review

Miroslav Philharmonik Classik Edition Orchestra Module Software
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For the price (I paid $99) I give this program 5 stars. I will eventually buy Miroslav Philharmonic and more IK stuff because I like this plug-in so much.
I've heard more than one person say that the activation process is very difficult---I had no such problem. Well, I did have one problem, but it turned out to be my fault---as usual. However, I have some company IT experience. But like I said, for me the process was way easy.
The sounds are the best I've heard for the price; looks cool, as well. This plug-in has a lot of nifty options to mess around with. It woks 99.9% perfect in my Sonar Producer. I've never had a program of any kind work at a 100%. It's an instrument, and like an instrument it has its own little quirks---just like Fenders and Gibsons do. Practice-practice-practice!
For reading musicians this program is especially great. It orchestrates excellently. Very well done!
It's great for ANY serious musician though---amateur or pro.

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Miroslav Philharmonik Classik Edition Orchestra Module Software

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MXL V67Q Stereo Condenser Microphone Review

MXL V67Q Stereo Condenser Microphone
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I bought this microphone to record piano music, chamber music and choral concerts. This is a serious professional microphone at a very reasonable price. It is stereo, and requires phantom power, which right away limits the devices you record on. You basically have to use pro equipment. It comes with a 5 pin stereo XLR connector cable which is only 10 feet long, You can get longer 5 pin stereo XLR connectors from musiciansfriend, Amazon or B and H photo/video. I use a Marantz CDR-300 recorder, but you could also use a marantz 310, any digital multi-track recorder or pro-tool/mac/digidesign interface box setup. (just make sure the interface box has two XLR inputs). The advantage to using a stereo mike is that it only requires one stand and one cable, and this mike sounds fantastic. You do have to back up from whatever you are recording, because it is very sensitive. Watch your levels when you are recording. It records the entire frequency spectrum, very quiet mike, but also very sensitive, you will hear every sniff and cough. It is a neutral mic, warm enough, and doesn't have a digital "edge" to it. I'm very happy with it. The color scheme is a little loud (I call it my Notre Dame Leprechaun Bling-Bling microphone) but once you get past that, it's a serious piece of electronic recording hardware. My previous microphone was a $200 Sony ECM-957 and I've also used a Rode NT-4 (~$600) this is as good as the Rode, but at one third the price. The MXL V67Q is the same price as the Sony but much better, wider spectrum, more neutrl and quieter. You should get a shock mount (I use the MXL 57) and a good tripod (I have an On-stage tripod, the end of the tripod accepts the MXL 57 shock mount). In summary, you can't do much better than this if you are trying to record classical music in a live venue with a digital recorder that has phantom power and XLR connectors. Highly recommended. for more info, go to www.mxlmics.com.

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MXL is proud to announce the newest addition to the V67 series, the V67Q Stereo microphone. This mic is the perfect addition to the home recording or studio environment. A fixed 90 degree XY pattern delivers a spacious stereo image, but also minimizes loss when translating to mono. The width can be adjusted later with panning if desired, as the left and right signals are delivered on separate balanced XLR connectors. The open tonality of the microphone compliments close micing by capturing the natural reverb of a room, provides an easy solution for drum overheads, and fits nicely under the lid of a grand piano. Follow the link above to hear a sample of the V67Q on guitar as well as other microphone samples.


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7/26/2012

RODE NT1000 Vocal Condenser Microphone Review

RODE NT1000 Vocal Condenser Microphone
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I went shopping for a Rode NT1. Rode mics use superb capsules mounted in machined housings you could drive a truck over, and the NT1 is a great mic for male vocals. The guy at the store suggested the NT1000. I recorded myself on both, and there wasn't much difference, but the 1000 just sounded a little smoother. But, the NT1 had a painted finish (may have changed since), made out of aluminum. When you screw the mount on it feels rough, like screwing in a light bulb with an aluminum base. The NT1000, though, feels rich and expensive, a nickel-steel finish (I guess) more like the expensive Neumanns. And when you screw the parts together they feel precise and elegant. It was a hundred bucks more than the NT1, but with the slightly nicer sound, and the much nicer look and handling feel, it seemed worth it.
The only problem I've had with it is weight. It's fairly heavy, and can't be extended very far on my boom stand without falling over.
Great dynamic range, low noise, very detailed.

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The Rode NT1000 brings new standards to the recording industry. When today's musicians and recording engineers demand clarity and dynamic range, they demand large capsule performance. The Rode NT1000 is superior in both vocal and instrumental performances. Voiced for application versatility , the NT1000 has been hailed by many as the ultimate drum over-head and grand piano mic selection. The NT1000 is also equally at home as a first call vocal mic. With its Australian made 1 inch HF-2 capsule incorporating internal shock mounting, the NT1000 boasts a 134 dB dynamic range, and 140 dBA SPL capabilities and a 20 Hz - 20 kHz frequency response. Includes mic stand mount, and zippered pouch. Rode NT1000 Features HF2 1 inch capsule with gold-plated diaphragm Ultra low-noise transformerless circuitry Cardioid polar pattern Heavy-duty cast metal satin nickel body High-strength welded and heat-treated mesh head Internal capsule shock-mounting True externally biased condenser Full frequency response AmericanMusical.com is an authorized dealer of Rode products.

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7/25/2012

Sony ECM-MS957 Stereo Microphone with Rotating Mid Capsule Review

Sony ECM-MS957 Stereo Microphone with Rotating Mid Capsule
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I bought this mike for use with my minidisc recorders, mainly to record choral concerts at church and in other places. It has a nice stereo directionality and separation choices, but I advise you to watch your record levels or mike sensitivity setting because the sound levels tended to overload on loud passages or with percussive music like piano when used with my recorder's default (high) mike sensitivity setting.
It's very solid and well made. I'd rather have a boxed carrying case instead of the soft pouch provided, but that's a quibble.

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For advanced, amateur and professional use.For instrumental recording.Ideal for Sony MD Walkman and DAT Walkman® Portable Stereos.One-Point Stereo design.Mid/Side (MS) capsules with switchable pickup angle.Rotating Mid capsule.Cannon XLR connector.Oxygen-free copper (OFC) Litz cord.Gold-plated L-shaped stereo miniplug

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