Crown PZM30D Boundary Microphone Review

Average Reviews:

(More customer reviews)The microphone performed as required.
I get a good sound from hanging it close to drums, piano.
The transient attack of the percussive hit will sell you on
the performance.


Click Here to see more reviews about: Crown PZM30D Boundary Microphone

This Crown PZM30D Boundary Microphone is a Pressure Zone Microphone designed for pro recording, sound reinforcement, and broadcasting. It has many applications, miking anything from full orchestras to individual instruments. Dual frequency response is switchable between rising (R) and flat (F). The R setting delivers the crisp attack needed for piano and percussion while the F setting offers smooth, flat, high-frequency response. With a frequency response of 20Hz to 20kHz and a maximum SPL of 150dB it can handle just about any sound capture chore you throw at it.

Get 39% OFF

Click here for more information about Crown PZM30D Boundary Microphone

Read More...

Crown PZM-30D Pressure Zone Microphone Review

Average Reviews:

(More customer reviews)You may look at the picture of this microphone and wonder just how big it really is. Well, it's quite small, actually. The plate is made of metal and it seems quite sturdy. Performance is great for those who understand how to use this type of microphone. This type of microphone works best when placed on a rigid, flat surface. The pickup pattern seems to be 360 degrees so if you are hoping to buy a microphone that picks up "everything" then this would be a good choice. If you want a microphone that focuses on a specific subject while ignoring sound coming from other directions, then you might want to consider a shotgun-style microphone instead. This particular microphone takes an XLR cable and operates on phantom power from your mixer. I use it in a distance-learning classroom. This microphone is almost as good as the $1,500 "AudioScience" microphones.

Click Here to see more reviews about: Crown PZM-30D Pressure Zone Microphone

The PZM ® -30D is a Pressure Zone Microphone ® designed for professional recording, sound reinforcement and broadcasting. It has many applications, from miking full orchestras or individual musical instruments to security or teleconferencing. The PZM-30D has a switchable dual frequency response: rising (R) or flat (F). The "rising" position adds brilliance. This makes it useful wherever a crisp attack is desired, such as on percussion, drums, or piano. The user can get a bright sound without boosting high frequencies on the recording console; the result is lower noise. The "flat" position provides a smooth, flat, high-frequency response for natural sound reproduction. These sturdy microphones are especially reliable because they can be used with a rugged detachable cable. The output is a male 3-pin XLR-type, balanced and low impedance, which permits long cable runs without hum pickup or high-frequency loss. Like other Pressure Zone Microphones, the PZM-30D TM utilizes the Pressure Recording Process in which a miniature condenser microphone capsule is positioned very close to a sound-reflecting plate or boundary. The capsule is mounted in the "Pressure Zone" just above the boundary, a region where sound coming directly from the sound source combines in phase with sound reflected off the boundary. The benefits are a wide, smooth frequency response free of phase interference, excellent clarity and "reach," a hemispherical polar pattern, and uncolored off-axis response.

Get 46% OFF

Click here for more information about Crown PZM-30D Pressure Zone Microphone

Read More...

MXL V67Q Stereo Condenser Microphone Review

Average Reviews:

(More customer reviews)I bought this microphone to record piano music, chamber music and choral concerts. This is a serious professional microphone at a very reasonable price. It is stereo, and requires phantom power, which right away limits the devices you record on. You basically have to use pro equipment. It comes with a 5 pin stereo XLR connector cable which is only 10 feet long, You can get longer 5 pin stereo XLR connectors from musiciansfriend, Amazon or B and H photo/video. I use a Marantz CDR-300 recorder, but you could also use a marantz 310, any digital multi-track recorder or pro-tool/mac/digidesign interface box setup. (just make sure the interface box has two XLR inputs). The advantage to using a stereo mike is that it only requires one stand and one cable, and this mike sounds fantastic. You do have to back up from whatever you are recording, because it is very sensitive. Watch your levels when you are recording. It records the entire frequency spectrum, very quiet mike, but also very sensitive, you will hear every sniff and cough. It is a neutral mic, warm enough, and doesn't have a digital "edge" to it. I'm very happy with it. The color scheme is a little loud (I call it my Notre Dame Leprechaun Bling-Bling microphone) but once you get past that, it's a serious piece of electronic recording hardware. My previous microphone was a $200 Sony ECM-957 and I've also used a Rode NT-4 (~$600) this is as good as the Rode, but at one third the price. The MXL V67Q is the same price as the Sony but much better, wider spectrum, more neutrl and quieter. You should get a shock mount (I use the MXL 57) and a good tripod (I have an On-stage tripod, the end of the tripod accepts the MXL 57 shock mount). In summary, you can't do much better than this if you are trying to record classical music in a live venue with a digital recorder that has phantom power and XLR connectors. Highly recommended. for more info, go to www.mxlmics.com.

Click Here to see more reviews about: MXL V67Q Stereo Condenser Microphone


MXL is proud to announce the newest addition to the V67 series, the V67Q Stereo microphone. This mic is the perfect addition to the home recording or studio environment. A fixed 90 degree XY pattern delivers a spacious stereo image, but also minimizes loss when translating to mono. The width can be adjusted later with panning if desired, as the left and right signals are delivered on separate balanced XLR connectors. The open tonality of the microphone compliments close micing by capturing the natural reverb of a room, provides an easy solution for drum overheads, and fits nicely under the lid of a grand piano. Follow the link above to hear a sample of the V67Q on guitar as well as other microphone samples.

Get 50% OFF

Click here for more information about MXL V67Q Stereo Condenser Microphone

Read More...

Sony ECM-MS957 Stereo Microphone with Rotating Mid Capsule Review

Average Reviews:

(More customer reviews)I bought this mike for use with my minidisc recorders, mainly to record choral concerts at church and in other places. It has a nice stereo directionality and separation choices, but I advise you to watch your record levels or mike sensitivity setting because the sound levels tended to overload on loud passages or with percussive music like piano when used with my recorder's default (high) mike sensitivity setting.
It's very solid and well made. I'd rather have a boxed carrying case instead of the soft pouch provided, but that's a quibble.

Click Here to see more reviews about: Sony ECM-MS957 Stereo Microphone with Rotating Mid Capsule

For advanced, amateur and professional use.For instrumental recording.Ideal for Sony MD Walkman and DAT Walkman® Portable Stereos.One-Point Stereo design.Mid/Side (MS) capsules with switchable pickup angle.Rotating Mid capsule.Cannon XLR connector.Oxygen-free copper (OFC) Litz cord.Gold-plated L-shaped stereo miniplug

Get 37% OFF

Click here for more information about Sony ECM-MS957 Stereo Microphone with Rotating Mid Capsule

Read More...

Rode NT4 Stereo Condenser Microphone Review

Average Reviews:

(More customer reviews)This is a great mic. The design makes it really easy to set up for recording, and its quality gives fantastic sound. I have primarily used it for recording acoustic instruments (grand piano, 12 string guitar etc) and because I am not a sound engineer with years of experience, I find that I get great sound just by having the parameters of distance and angle to fool with. Frankly the extra parameter of distance between two mono-mics is just annoying for me. I want to play music and record it, not fool with mics all day. I can't wait to try it on live recordings of choirs etc.
Drop by the Røde website and have a listen to what engineers say about this mic.

Click Here to see more reviews about: Rode NT4 Stereo Condenser Microphone

The Stereo wonder! The RODE NT4 is an X/Y stereo multi-power studio and location 1/2-inch condenser microphone used by professionals. The NT4 is a visually striking microphone that solves the age-old problem of stereo recording by eliminating the need to purchase matched pairs and the associated complex set-up bars and adaptors to get professional results. With a fixed 90 Degree X/Y configuration and perfectly matched stereo condenser capsules, the NT4 lets you record any source with immaculate stereo detail. The NT4 has a 128 dB dynamic range, 143 dBA SPL and low self-noise. Offering selectable battery or phantom power operation with power indicator light, the NT4 is ideally suited to both studio and location recording. The NT4 comes supplied in a custom carry case with a windshield, XLR to mini-jack and dual XLR cables for portable DAT or professional balanced input connection. Rode NT4 Features Stereo X/Y condenser microphone Dual externally biased 1/2 inch capsules with gold sputtered diaphragm Capsules closely matched with full frequency response Dual power operation Custom stereo cables included - dual XLR and mini stereo jack Custom twin head windshield (WS4) included Durable satin-nickel finish Surface mount circuitry AmericanMusical com is an authorized dealer of Rode products.

Get 41% OFF

Click here for more information about Rode NT4 Stereo Condenser Microphone

Read More...

Sennheiser E 845-S Dynamic Super Cardioid Microphone Review

Average Reviews:

(More customer reviews)If you are a frontman / lead singer that plays a little piano as well...this is the mic for you to use with your keyboard...so you dont have to use your wireless and set it up to the right position before a song... It is a great value for the price. I use a Sennheiser Wireless E835,
This is a great stage mic if you are tired of using your wireless with your keyboard/piano. I use this mic with a boom stand with my piano and leave it in the on position for the whole show. This way, I can leave my wireless Sennheiser with my Glam rock Stand up Stand. Helps save battery life and decreases anxiety of your battery going during a gig.
G-Front
White Dove Red

Click Here to see more reviews about: Sennheiser E 845-S Dynamic Super Cardioid Microphone

The e845 S is a High Performance super-cardioid vocal microphone with exceptional feedback rejection. It ensures vocal projection through high on-stage sound levels. It has a noiseless On/Off switch

Get 16% OFF

Click here for more information about Sennheiser E 845-S Dynamic Super Cardioid Microphone

Read More...

Shure KSM 137/SL End-Address Cardioid Condenser Microphone Review

Average Reviews:

(More customer reviews)I had been looking around for a good condenser microphone for recording acoustic guitar and a sales representative recommended this one. I absolutely fell in love with this microphone the first time I pushed in the 48v button for my Pro Tools rig. It's a great price for an excellent microphone, Shure has always made affordable go to microphones especially for live performance ie the 57 or the 58. I really like the roll off switches, I don't use the db switch because on my pre I have a pad that I rarely use on an acoustic guitar. I usually place this mic at the 12 fret and use a vocal condenser as a room mic for the stereo effect, so far the work has turned out very well. I would recommend this microphone to someone looking above maybe that entry level or would like to produce there own music.

Click Here to see more reviews about: Shure KSM 137/SL End-Address Cardioid Condenser Microphone

Versatile, durable, and precise, the Shure KSM137 end-address condenser microphone is an outstanding microphone for instruments ranging from percussion to wind, strings to brass, and piano to guitar. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.

Key Features
A highly consistent cardioid polar pattern
Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar diaphragm for superior transient response
Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
Premium electronic components, including gold-plated internal and external connectors
Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect

Performance Characteristics
Extended frequency response
Low self-noise
Exceptional reproduction of low-frequency sounds
Can withstand high sound pressure levels (SPL)
High output level
No crossover distortion
Uniform polar response
Superior common mode rejection and suppression of RFI (radio frequency interference)

Applications Some typical applications for the KSM137 are listed below. Microphone use is a matter of personal taste and the KSM137 may be used for a variety of applications other than those listed.
Acoustic instruments -- such as piano, guitar, drums, percussion, strings
Wind instruments -- brass and woodwind
Low frequency instruments -- such as double bass, electric bass, kick drum
Overhead miking -- drums or percussion
Ensembles -- choral or orchestral
Room ambiance pick-up -- guitar amplifier or drums

Specifications
Type: Permanently Biased Condenser
Frequency Response: 20­ to 20,000 Hz
Directional Polar Pattern: Cardioid
Output Impedance: 150 ohms (actual)
Attenuation Switch: 0 dB, 15 dB, or 25 dB attenuation
Low Frequency Response Switch: Flat; ­6 db/octave below 115 Hz; -18 dB/octave below 80 Hz
Phantom Power: 48 Vdc +/- 4 Vdc (IEC­268­15/DIN 45 596), positive pins 2 and 3
Current Drain: 4.65 mA typical at 48 Vdc
Common Mode Rejection: ≥50 dB, 20 Hz to 20 kHz
Sensitivity (typical, at 1000 Hz; 1 Pa = 94 dB SPL): -37 dBV/Pa
Self­noise (typical, equivalent SPL; A-weighted, IEC 651): 14 dB
Polarity: Positive pressure on diaphragm produces positive voltage on output pin 2 relative to pin 3
Weight: 3.5 ounces

Get 48% OFF

Click here for more information about Shure KSM 137/SL End-Address Cardioid Condenser Microphone

Read More...

Sterling Audio PHP1 48V Phantom Power Supply Review

Average Reviews:

(More customer reviews)This is a fantastic little unit. It makes my mic sound much better- not because of any crazy circuitry, but because the mic is fully powered. Many phantom power supplies are shared and weak (like USB powered audio interfaces etc), so this thing really gives it the juice it needs.
Built like a tank and cheap. Perfect combo. Thanks Sterling Audio!

Click Here to see more reviews about: Sterling Audio PHP1 48V Phantom Power Supply

The Sterling Audio PHP1 Power Supply provides stable 48V phantom power for one condenser microphone. Meets DIN 45596 standard.

Get 33% OFF

Click here for more information about Sterling Audio PHP1 48V Phantom Power Supply

Read More...

DBX Driverack RTA Condenser Microphone Review

Average Reviews:

(More customer reviews)I'm doing research on car audio noise due to subwoofer excitation. I am not 100% sure if this microphone is giving me adequate response for my study, but so far I am pretty impressed considering this is only $100. I'm able to easily quantify noise below 1kHz to at least 110 dB without any doubts. My only complaint so far is that I wish the technical information provided was more detailed but that's because I am doing research, which is more demanding than most applications.

Click Here to see more reviews about: DBX Driverack RTA Condenser Microphone

The DBX Driverack RTA Condenser Microphone is a omni-directional, flat frequency, measurement microphone designed for use with DBX's Driverack systems. By using the Driverack RTA microphone and a DriveRack you can Pink any room set up for live or studio performance. You simply connect the microphone to the DriveRack, generate your pink noise and optimize the EQ settings of any room through the use of the Auto EQ in the Driverack Wizard setup assistant.Even though the Driverack RTA Condenser Microphone is designed to be used with the Driverack systems, this is still a condenser microphone and works great on acoustic guitars, pianos, drums or just as a room microphone.

Get 34% OFF

Click here for more information about DBX Driverack RTA Condenser Microphone

Read More...

Behringer C-4 Single Diaphragm Condenser Microphones 2 Matched Single Diaphragm Condenser Microphones (Price Per Pair, Only Sold In Pairs) Review

Average Reviews:

(More customer reviews)This is an excellent liitle set of matched mics.The kit comes with all the extra's to make using them a snap.I have already recorded with them and the sound quality is fantastic.Zero feedback from these little gems makes them a pleasure to use.

Click Here to see more reviews about: Behringer C-4 Single Diaphragm Condenser Microphones 2 Matched Single Diaphragm Condenser Microphones (Price Per Pair, Only Sold In Pairs)

2 Matched Single Diaphragm Condenser Microphones (price per pair, only sold in pairs)

Get 53% OFF

Click here for more information about Behringer C-4 Single Diaphragm Condenser Microphones 2 Matched Single Diaphragm Condenser Microphones (Price Per Pair, Only Sold In Pairs)

Read More...

Behringer C2 Condenser Microphone Cardioid Review

Average Reviews:

(More customer reviews)Normally I'm not a big fan of Behringer products. They tend to be less expensive, often cheap, copies (or very near copies) of much better equipment. They and Mackie had quite a number of shootouts over the years.
However, when it came time to get a bunch of choir microphones for outdoor PA venues, I just couldn't bring myself to plop $150 or more per mic. I only use these things 4 times a year generally and couldn't justify the $$.
So I picked up a set of these C-2s to test at my local retail music store. I was very impressed, to say the least. They're well made, have standard built-in flat/base-roll-off/-10db cut switch on the side. Very handy in gazebos and the like where the base is a big problem due to natural reverb and feedback.
I ended up getting 4 boxes (8 mics) initially and used them for the concerts with excellent results. I just put them up overhead about 7'-8', aim them outward from each other at about 45 degrees, and run each to a channel on the board. That way, I keep track easily of where each is and, when a horn player or such stands to play a solo, I can jump the correct channel easily and pump them up as needed.
This purchase is to up the ante to 12 mics since the bands turned into 60 or more piece orchestras this year. It just helps to have more coverage sometimes.
Again, for the price, these cannot be beat. I dare anyone to discern a 5x or more improvement in sound between these and the more expensive mics. Of course, if it's studio use you're interested in, you can definitely hear a difference but it's still questionable that the difference is important enough to warrant the extra $$. After all, >90% of all recorded material these days is listened to on iPods or the like and the digitizing and compression encoding technology damages the quality of recording much more than the tiny differences between these mics and the $$ ones.
Get 'em - you'll like 'em.

Click Here to see more reviews about: Behringer C2 Condenser Microphone Cardioid

2 Matched True Condenser Microphones (price per pair, only sold in pairs)

Get 50% OFF

Click here for more information about Behringer C2 Condenser Microphone Cardioid

Read More...

MXL USB007 USB Stereo Condenser Microphone Review

Average Reviews:

(More customer reviews)As a music director, I bought this for its portability to record concerts in stereo. Just hook it up to a laptop computer (plugs into a USB port) and record away - anywhere! The resulting WAV file is already on the computer ready to tweak in Sound Forge. The stereo sound quality is rich and accurate. We have been very impressed.

Click Here to see more reviews about: MXL USB007 USB Stereo Condenser Microphone

MXL Introduces the World's First USB Large Gold Diaphragm Stereo Condenser Mic. It's like having a recording studio in a mic. No mixers, pre-amps, or expensive studio gear. No mixers, preamps or expensive studio gear. No special software or drivers, just plug in to your portable or desktop computer, set your preferences and enjoy instant studio quality recordings. The mic uses dual gold diaphragm capsules in a XY pattern together with low noise electronics and the latest in enhanced digital conversion techniques for pristine audio quality. In a demonstration CD a vintage acoustic guitar was recorded with a famous studio mic going thru high quality studio gear to a hard disk recorder and then was compared to the MXL USB.007 recorded direct to a standard computer. The results were nothing short of amazing; the MXL USB.007 sounded like a pristine direct to disc recording while the studio mic sounded nice but lacked punch or detail of the USB mic. Because of its high quality and ease of use the new mic opens up new possibilities for direct stereo recording with a standard computer such as live performances in the professional, school and home environment. It's also a very exciting tool for podcasts, multimedia, news and broadcast applications using portable computers for remote stereo recording of concerts, lectures, or even documenting outdoor sounds in stereo for film and and sharing with friends and TV backgrounds. Imagine the fun of recording performances and sound effects from anywhere in the world on a portable computer in full stereo and sharing with friends and associates. The MXL USB .007 comes with a carry bag, a desktop mic stand, mic stand adapter, a 10-foot USB cable, wind screen, owners manual and an applications guide. The new MXL USB mics usher in a new era of high quality recording never before achieved without a studio. It completely redefines what users can do on their computers opening up a new world for the audio, computer and broadcast industries. All New MXL Microphones are Designed in Our HDTV Design Center inLos Angeles, CAand are wired with MOGAMI.

Click here for more information about MXL USB007 USB Stereo Condenser Microphone

Read More...