Shure KSM 137/SL End-Address Cardioid Condenser Microphone Review

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(More customer reviews)I had been looking around for a good condenser microphone for recording acoustic guitar and a sales representative recommended this one. I absolutely fell in love with this microphone the first time I pushed in the 48v button for my Pro Tools rig. It's a great price for an excellent microphone, Shure has always made affordable go to microphones especially for live performance ie the 57 or the 58. I really like the roll off switches, I don't use the db switch because on my pre I have a pad that I rarely use on an acoustic guitar. I usually place this mic at the 12 fret and use a vocal condenser as a room mic for the stereo effect, so far the work has turned out very well. I would recommend this microphone to someone looking above maybe that entry level or would like to produce there own music.

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Versatile, durable, and precise, the Shure KSM137 end-address condenser microphone is an outstanding microphone for instruments ranging from percussion to wind, strings to brass, and piano to guitar. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.

Key Features
A highly consistent cardioid polar pattern
Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar diaphragm for superior transient response
Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
Premium electronic components, including gold-plated internal and external connectors
Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect

Performance Characteristics
Extended frequency response
Low self-noise
Exceptional reproduction of low-frequency sounds
Can withstand high sound pressure levels (SPL)
High output level
No crossover distortion
Uniform polar response
Superior common mode rejection and suppression of RFI (radio frequency interference)

Applications Some typical applications for the KSM137 are listed below. Microphone use is a matter of personal taste and the KSM137 may be used for a variety of applications other than those listed.
Acoustic instruments -- such as piano, guitar, drums, percussion, strings
Wind instruments -- brass and woodwind
Low frequency instruments -- such as double bass, electric bass, kick drum
Overhead miking -- drums or percussion
Ensembles -- choral or orchestral
Room ambiance pick-up -- guitar amplifier or drums

Specifications
Type: Permanently Biased Condenser
Frequency Response: 20­ to 20,000 Hz
Directional Polar Pattern: Cardioid
Output Impedance: 150 ohms (actual)
Attenuation Switch: 0 dB, 15 dB, or 25 dB attenuation
Low Frequency Response Switch: Flat; ­6 db/octave below 115 Hz; -18 dB/octave below 80 Hz
Phantom Power: 48 Vdc +/- 4 Vdc (IEC­268­15/DIN 45 596), positive pins 2 and 3
Current Drain: 4.65 mA typical at 48 Vdc
Common Mode Rejection: ≥50 dB, 20 Hz to 20 kHz
Sensitivity (typical, at 1000 Hz; 1 Pa = 94 dB SPL): -37 dBV/Pa
Self­noise (typical, equivalent SPL; A-weighted, IEC 651): 14 dB
Polarity: Positive pressure on diaphragm produces positive voltage on output pin 2 relative to pin 3
Weight: 3.5 ounces

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Behringer C-4 Single Diaphragm Condenser Microphones 2 Matched Single Diaphragm Condenser Microphones (Price Per Pair, Only Sold In Pairs) Review

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(More customer reviews)This is an excellent liitle set of matched mics.The kit comes with all the extra's to make using them a snap.I have already recorded with them and the sound quality is fantastic.Zero feedback from these little gems makes them a pleasure to use.

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2 Matched Single Diaphragm Condenser Microphones (price per pair, only sold in pairs)

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M-Audio Pulsar II Matched Pair Small-Diaphragm Studio Condenser Microphones Review

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(More customer reviews)Wasted my money on this one. Bought it in usa, came back to my country just to find out that there is this huge wind-like noise coming out of both mics. Returning them would be the same as buying another set, due to high shipping costs. These mics were probably exposed to moisture, or worse. I dont know exactly who to blame for that, I just regret deeply buying this product.

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The M Audio Pulsar II small-diaphragm cardioid condenser microphone takes M-Audio's pencil condenser technology to an even higher level. Designed in the U.S.A. by veteran engineers and hand-assembled to exacting standards, this precision microphone exhibits quality comparable to that of vintage classics. New features like -10dB pad and 80Hz high-pass filter switches, higher SPL than the original and a redesigned solid-brass backplate deliver smooth, accurate sound in the studio and on stage. The Pulsar II has many applications, including drum overheads, acoustic guitar, piano, close-miking strings and woodwinds, room miking and more. Flexible New Features The Pulsar II can adapt to many recording and live situations. The 12dB/octave high-pass filter reduces low-frequency rumble and the potential for overloading mic preamps with low-frequency signals. The Pulsar II also handles higher SPLs - an overall 2dB boost thanks to a new thermal diaphragm treatment, plus a new 10dB switchable attenuation pad. M Audio Pulsar II Features Professional small-capsule condenser microphone 3/4 inch, 6-micron Mylar evaporated gold diaphragm Solid brass backplate Solid brass body Class-A FET electronics Switchable 10dB pad and 80Hz high-pass filter Wooden storage box houses microphone, windscreen and clip Available as a Matched Pair This Pulsar IIpair is a matched set with only ±1dB tolerance from the excellent published frequency response curves - which extend from 20Hz to 20kHz. This makes the Pulsar II mics ideal for stereo rroom miking, stereo overheads and similar applications where balance

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Samson C02 Stereo Pair Condenser Microphones Review

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(More customer reviews)[Edited for usefulness on 11/15]
I can't bring myself to be super-critical of the Samson C02, because in spite of my occasional dissatisfaction it does have a lot going for it. I've had my pair for about a year, and I use them frequently as overheads on the drum kit, on acoustic guitar, and as "room sound" mics for vocals.
For the latter two applications they are adequate, or at least I can't complain. Unfortunately as drum overheads they have been disappointing, and this is what I primarily wanted to use them for. To my ears they sound a little thin and lack presence and clarity, especially on cymbals. I like the overheads to get a detailed overall picture of the drum kit, so that's a drag. Another bummer is that there are no switches on the mic - something like a bass cut or -10dB pad would have been nice. Without a pad switch, putting this mic under a snare drum is a recipe for disaster. Or maybe you could just ask the drummer to play quieter?
So I guess when it comes to small-diaphragm condensers I still haven't found what I'm looking for. The bad news is that the $400-$700 price bracket is apparently where I have to look next. On most of my projects over the last year I have been able to use a famous similar type of microphone made by AKG, and the comparison is not exactly flattering. Of course, a pair of AKG's "Microphone X" costs about ten times what you're looking at here. And maybe we've come to the root of why it's hard for me to say a lot of nasty things about my Samson CO2s. They are so, so cheap for what you get, namely: a pair of condenser mics, two mini shock-mount/mic clips, two windscreens, and a sturdy, padded plastic carrying case. My griping aside, these things do a borderline-acceptable job as overheads, and in other applications (such as acoustic guitar) they are quite useful. I would probably recommend them to beginning engineers, people on a recession budget, or to anyone looking to keep a couple of budget mics on hand. More serious project studios and home recordists might want to save up for something a little nicer.

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Samson C02 Condenser mics let you capture and record all the ambience and dynamic depth of acoustic guitars, piano, overhead drums, acoustic instruments, and vocals - in stereo! C02 microphones can be used either individually or in pairs for stereo recordings, neck and sound hole placement for miking acoustic guitars, and low/high octave placement in acoustic pianos. The C02 is an extremely sensitive cardioid condenser (10mv/pa) with an expanded frequency response of 40Hz to 20kHz and a maximum SPL of 134dB. What's all this mean? It means that the C02 delivers professional performance at an incredible price and will make a dramatic difference in every recording. C02s are shipped in pairs with shock mounts and a molded, foam-lined carrying case. 48volt phantom power required.

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Shure PG81-LC Instrument Condenser Microphone, Cardioid Review

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(More customer reviews)I use 2 of these overhead for recording my drum set, they sound great and capture my crash, hihat and ride cymbals perfectly. I haven't used the batteries to power it, only phantom power on a cheapo samson mixer and it always works fine. Ive had 2 of these for about a year now with no faults.

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PG81 Cardioid Condenser Instrument Microphone is a professional quality flat-response microphone designed to be used in sensitive acoustic instrument applications. With rugged durability and excellent sound, this versatile microphone comes with an on/off switch, swivel adapter, carrying pouch and choice of with XLR cable, or without. Phantom power or included AA battery required.

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