Showing posts with label home recording. Show all posts
Showing posts with label home recording. Show all posts

8/05/2012

Crown PZM-30D Pressure Zone Microphone Review

Crown PZM-30D Pressure Zone Microphone
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You may look at the picture of this microphone and wonder just how big it really is. Well, it's quite small, actually. The plate is made of metal and it seems quite sturdy. Performance is great for those who understand how to use this type of microphone. This type of microphone works best when placed on a rigid, flat surface. The pickup pattern seems to be 360 degrees so if you are hoping to buy a microphone that picks up "everything" then this would be a good choice. If you want a microphone that focuses on a specific subject while ignoring sound coming from other directions, then you might want to consider a shotgun-style microphone instead. This particular microphone takes an XLR cable and operates on phantom power from your mixer. I use it in a distance-learning classroom. This microphone is almost as good as the $1,500 "AudioScience" microphones.

Click Here to see more reviews about: Crown PZM-30D Pressure Zone Microphone

The PZM ® -30D is a Pressure Zone Microphone ® designed for professional recording, sound reinforcement and broadcasting. It has many applications, from miking full orchestras or individual musical instruments to security or teleconferencing. The PZM-30D has a switchable dual frequency response: rising (R) or flat (F). The "rising" position adds brilliance. This makes it useful wherever a crisp attack is desired, such as on percussion, drums, or piano. The user can get a bright sound without boosting high frequencies on the recording console; the result is lower noise. The "flat" position provides a smooth, flat, high-frequency response for natural sound reproduction. These sturdy microphones are especially reliable because they can be used with a rugged detachable cable. The output is a male 3-pin XLR-type, balanced and low impedance, which permits long cable runs without hum pickup or high-frequency loss. Like other Pressure Zone Microphones, the PZM-30D TM utilizes the Pressure Recording Process in which a miniature condenser microphone capsule is positioned very close to a sound-reflecting plate or boundary. The capsule is mounted in the "Pressure Zone" just above the boundary, a region where sound coming directly from the sound source combines in phase with sound reflected off the boundary. The benefits are a wide, smooth frequency response free of phase interference, excellent clarity and "reach," a hemispherical polar pattern, and uncolored off-axis response.

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7/27/2012

MXL V67Q Stereo Condenser Microphone Review

MXL V67Q Stereo Condenser Microphone
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I bought this microphone to record piano music, chamber music and choral concerts. This is a serious professional microphone at a very reasonable price. It is stereo, and requires phantom power, which right away limits the devices you record on. You basically have to use pro equipment. It comes with a 5 pin stereo XLR connector cable which is only 10 feet long, You can get longer 5 pin stereo XLR connectors from musiciansfriend, Amazon or B and H photo/video. I use a Marantz CDR-300 recorder, but you could also use a marantz 310, any digital multi-track recorder or pro-tool/mac/digidesign interface box setup. (just make sure the interface box has two XLR inputs). The advantage to using a stereo mike is that it only requires one stand and one cable, and this mike sounds fantastic. You do have to back up from whatever you are recording, because it is very sensitive. Watch your levels when you are recording. It records the entire frequency spectrum, very quiet mike, but also very sensitive, you will hear every sniff and cough. It is a neutral mic, warm enough, and doesn't have a digital "edge" to it. I'm very happy with it. The color scheme is a little loud (I call it my Notre Dame Leprechaun Bling-Bling microphone) but once you get past that, it's a serious piece of electronic recording hardware. My previous microphone was a $200 Sony ECM-957 and I've also used a Rode NT-4 (~$600) this is as good as the Rode, but at one third the price. The MXL V67Q is the same price as the Sony but much better, wider spectrum, more neutrl and quieter. You should get a shock mount (I use the MXL 57) and a good tripod (I have an On-stage tripod, the end of the tripod accepts the MXL 57 shock mount). In summary, you can't do much better than this if you are trying to record classical music in a live venue with a digital recorder that has phantom power and XLR connectors. Highly recommended. for more info, go to www.mxlmics.com.

Click Here to see more reviews about: MXL V67Q Stereo Condenser Microphone


MXL is proud to announce the newest addition to the V67 series, the V67Q Stereo microphone. This mic is the perfect addition to the home recording or studio environment. A fixed 90 degree XY pattern delivers a spacious stereo image, but also minimizes loss when translating to mono. The width can be adjusted later with panning if desired, as the left and right signals are delivered on separate balanced XLR connectors. The open tonality of the microphone compliments close micing by capturing the natural reverb of a room, provides an easy solution for drum overheads, and fits nicely under the lid of a grand piano. Follow the link above to hear a sample of the V67Q on guitar as well as other microphone samples.


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7/09/2012

Tascam CD-VT2 CD Vocal and Instrument Trainer Review

Tascam CD-VT2 CD Vocal and Instrument Trainer
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Not everyone has a need for this but if you do, it works very well. It plays a CD well enough although if that's all you need then don't buy this. What it does well is it can either speed or slow the tempo of what is on the CD without changing the pitch, or it can change the pitch of what is on the CD without changing the tempo. It also acts as a tuner. And, it can remove center channel vocals if you want to just hear the music portion of what is on the CD.
Regarding the tempo and pitch change, it executes these tasks flawlessly.
Regarding the vocal elimination, it removes the vocals satisfactorily. I don't think any machine can do a perfect job because there's too many hitches inherent in the recording, but this one does a good enough job so that the vocals are faint enough for someone to sing over and not compete with them.
Build quality is good - it is part of the Teac company and they make quality stuff. I bought a separate power transformer for this unit so I didn't have to worry about batteries, so I have no comments regarding how long the batteries last.
The controls and functions are neatly laid out on the panel and are easy to use. The instruction book is easy to follow. This product does what I bought it for very well so I am happy with it.


Click Here to see more reviews about: Tascam CD-VT2 CD Vocal and Instrument Trainer

Featuring an improved compact design, the Tascam CD-VT2 CD vocal/music trainer allows artists, musicians, students, and music teachers to practice, learn and teach vocal harmonies, fast rap passages and complex melodies from their favorite music. It offers comprehensive LCD display with graphical user interface, album title/track title indication by CD-Text, expanded effect banks for user preset, chromatic tuner.
Tascam's VSA feature (Variable Speed Audition, pitch control without affecting key) lets you learn a continuous mix of your favorite songs anywhere you go, while Flash Back, loop, and other play functions help review parts without having to constantly reach for the controls. The CD-VT2 also includes a vocal/instrument canceller, allowing you to play along to featured parts with your own vocal or instrument.

Key Features
Portable CD Music/Vocal trainer (More compact than previous CD-VT1MKII)
CD-DA/CD-R/CD-RW disc playback
10 second anti-shock memory
Comprehensive 128 x 64 dot matrix LCD display with graphical user interface
Album title/Track title indication by CD-Text
Elapsed Time/Remain Time display with bar meter
+16 to -50% pitch control in 1% steps
VSA (Variable Speed Audition, pitch control without affecting key)
Key control: +/-6 semi-tone, in semi-tone steps with +/-50 cents fine tune
Single play and continuous play
Single Loop, All Loop, and Seamless IN-OUT Loop
Flash Back function (Instant review up to 5 seconds prior playback)
Vocal/Instrument Canceller with selectable canceling pan point and selectable frequency range
10 effect banks for user preset
Chromatic tuner with calibration (435 to 445Hz)
3 octaves tone oscillator
Metronome (BPM: 40 to 220, Beat: 2 to 6)
(2x) 1/4-inch Mic input
Mic input volume
Mic input level meter indicator on LCD display
CD level meter indicator
Foot switch connector
5 selectable functions by foot switch (Flash Back, Rewind, FF, Bank, Effect on/off)
1/8-inch stereo line output
1/8-inch stereo headphone output
Headphone volume
MONO monitor for CD (L+R, L, R)
Split monitor (Left ch: CD, Right ch: Input or vice versa)
Battery operation
Optional power supply PS-P520

Specifications
Disc Type: 8cm and 12cm CD
Line Output Connector: 1/8-inch Stereo mini connector
Nominal Stereo Output Level: -10dBV
Output Impedance: 600ohm (2V RMS)
Maximum Output Level (LINE OUT): +6dBV
Headphone Output Connector: 1/8-inch Stereo mini connector
Maximum Output Level (PHONES): 15mW (at 32ohm loaded)
Mic Input Connectors: 1/4-inch Phone Connector
Nominal Input Level, Mic Input: -40dBV
Maximum Input Level, Mic Input: -19dBV
Frequency Response: 20 Hz to 20 kHz (-3/+1dB); (A weight filter + 20KHz LPF)
Signal to Noise Ratio: Better than 85 dB
Total Harmonic Distortion: < 0.03% (200Hz HPF + 20KHzLPF)
Channel Separation: Better than 80dB (A weight filter + 20KHz LPF)
Power Requirements: DC 5V (Optional AC adapter PS-P520); AA batteries x 4
Power Consumption: 4W (with PS-P520)
Dimensions: 7.64 x 1.52 x 5.43 inches (WxHxD)
Weight (excluding batteries): 19.4 ounces


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7/04/2012

Tascam US1641 USB 2.0 Audio and MIDI Interface with digital Connection - Macintosh and Windows Review

Tascam US1641 USB 2.0 Audio and MIDI Interface with digital Connection - Macintosh and Windows
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I looked at virtually every multiple mic interface on the market and couldn't find anything to touch this in features and/or price... so I bought it.
Wow!This thing rocks! I connected up 8 microphones for Kick, Snare, Hi-hat, Tom 1, Tom 2, Tom 3, Left Overhead and Right Overhead... all those mics plug into the 8 XLR mic sockets at the front of the unit. Got some really great 20ft XLR mic cables from Amazon for only $6.95 each (Whirlwind LowZ Microphone Cable (20 Foot) I then plugged in my bass guitar into one of 2 switchable line/guitar 1/4" mono inputs on the front.
Each of the 10 front panel inputs has a volume control knob and red/green led. The drummer hits each drum individually one by one so I can adjust each vol control so that it just occasionally clips red but mostly stays green.
After adjusting the six individual drum mics I now get the drummer to play the whole set and I adjust the left and right overheads mics so they don't clip (go red). That's it! The mics are setup ready to record.
I took the main output from the back of the unit to my monitors and there's a volume control on the front of the unit to allow you to turn down the monitor while recording... then you turn it up to listen back... so in effect, the unit has it's own monitoring control.
Two headphone jacks would've been nice, but I used a Y-adapter 1/4" Headphone Splitter to split the output allowing me to plug in the two headphones for me and the drummer.
I now setup recording on my laptop (HP TX2500z) using the supplied Cubase LE4 software which is really easy to use - buy yourself the The Complete Idiot's Guide to Recording with Cubase. There's no specific book for version LE4 but this idiot's guide worked great for me.
A note about my notebook - It's a tablet PC laptop HP Pavilion tx2500z 12.1" TOUCH-SCREEN Notebook with a great touch screen - so you can arm/disarm or mute/unmute your record channels/tracks just by touching the screen buttons with your finger - it's just like a real mixing desk with real tactile switches - it's really cool!
You may need to tweak your laptop for audio recording to get the best results otherwise you will hear artifacts (odd noises) when recording if the laptop is struggling to find the necessary processing power. I tweaked my laptop and it was just amazing to see the difference in performance. You can Google "Tweak Vista for audio recording" to find the information on how to tweak.
I also replaced my 5400rpm drive with a 7200rpm drive Seagate 500 GB 7200RPM 2.5" Drive - it's real easy to do... Google "Upgrading laptop hard drive". As well as getting a faster speed drive I also made it a 500GB to replace the 320GB drive that I had - so lot's more space... and very low cost too!
RESULTS!!!!!!!!!!!
Well... Let me tell you, I was absolutely BLOWN AWAY by the results obtained with this unit! The Tascam 1641 is an amazing piece of gear and Amazon's price is just out of this World at only $299...
It's like having a whole recording studio in a box - the mic pre's, the mixing desk (vol controls), the signal LED's, the monoring vol control, headphone controls, etc... AND the software - all for $299 - You can't beat that!
The actual sound that I got was totally professional - I couldn't have done better if I was in a top-notch recording studio. I am 100,000% satisfied!
GO FOR IT!!! HIGHLY RECOMMENDED!!!!!!!



Click Here to see more reviews about: Tascam US1641 USB 2.0 Audio and MIDI Interface with digital Connection - Macintosh and Windows

With sixteen inputs, the TASCAM US-1641 is the ideal choice for musicians to record the whole band to a computer. Eight mic/line inputs plus six line inputs gives you plenty of channels for a large ensemble, drumset, live recording or worship service. It includes Cubase LE4, Steinberg's latest version, for 48 tracks of 96k/24-bit recording power. Using the latest high-speed USB 2.0 technology, the US-1641 packs the interfacing power of a big console into only one rackspace.The eight mic inputs employ TASCAM Pro mic pres for 60 dB of gain and phantom power for studio-quality recordings. Two balanced TRS line inputs on the front panel are switchable to guitar level for direct-in recording of bass or guitar tracks. Four more balanced line inputs and outputs fill out the rear panel, along with MIDI and S/PDIF digital inputs and outputs for a total of 16 ins. A built-in power supply means there's no special wall-wart to lose, and connection to the computer is handled by USB 2.0 technology - 40 times faster than USB 1.1 and 20% more bandwidth than FireWire 400.The US-1641 comes with Cubase LE4, Steinberg's latest version of the 48-track, 96kHz recording workstation, so you'll be ready to cut tracks right away. Also included is TASCAM's Continuous Velocity Piano, a VSTi plug-in for Windows that uses Giga technology for totally authentic grand piano sounds. The US-1641 installs ASIO and Core Audio drivers for Windows XP, Windows Vista 32 and Mac OS X, with simple instructions for hooking up to Logic Pro, Cubase, Nuendo, Digital Performer, SONAR, Reason, Live and nearly all other recording software. For musicians and bands always looking for more inputs, the US-1641 is the ultimate choice. Gather up your mics and head to your TASCAM dealer for more.

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6/05/2012

Studio Projects B3 Multi-Pattern Large Diaphragm Condenser Microphone Review

Studio Projects B3 Multi-Pattern Large Diaphragm Condenser Microphone
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This mic turned out to be pretty good! I was leaving my home town and moving to another Continent, but didn't want to loose my clients and VO jobs, so I decided to purchase home recording equipment. This was the mic I chose. I tried it out at one of the main professional audio studios I work with and the sound technician gave this mic a 2 thumbs up! Of course you do need the CEntrance MicPort Pro for it to work out properly, and that will be another review..
Very good Quality of sound, gives you all 3 patterns (omni, duo, and full).
VERY IMPORTANT! Just so you know, it comes in a very sturdy wood box, and it brings a shock mount and a wind-stopper (which works as popper stopper, too) ... I didn't realize this and bought and additional shock mount (that doesn't fit my mic!) and an additional pop filter, which i will eventually use.
Over all, very staisfied!

Click Here to see more reviews about: Studio Projects B3 Multi-Pattern Large Diaphragm Condenser Microphone

The new Studio Projects B3 is the ultimate in large diaphragm condenser microphones at this price anywhere. This microphone has all the technical refinements to be an enduring classic. With features you would expect in a world class microphone, the B3 offer's three recording pattern positions (cardioid, omni and a true figure eight)with pad and Hi-Pass filter.Equipped with a true 1" 3 um gold sputtered dual gold large diaphragm in a pressure gradient transducer capsule, the B3 will ensure the finest quality of recordings while offering linear response and a classic deep rich sound. The B3 can be connected to any external microphone preamplifier or mixing console which provides 48 volt phantom power or via any 48 volt external power supply.Type: FET 3 micron 1" large dual diaphragmPolar pattern: Cardioid, Figure of Eight, OmniFrequency response: 20~20000HzSensitivity: 14/16/18mV/Pa(Omni./Cardioid/Figure 8) (-37/-36/-35dB @1000Hz)Output impedance: 1000 OhmMaximum SPL: 132/142dB SPL for 1% THD @1000Hz(0dB/-10dB pad, 0dB SPL=0.00002Pa)Noise: 14dB-A (Cardioid)S/N: 80 dBPad: -10dBLow cut: 6dB/Octave at 150 HzPower requirement: 48 +/- 4VCurrent consumption:

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5/26/2012

Shure KSM 137/SL End-Address Cardioid Condenser Microphone Review

Shure KSM 137/SL End-Address Cardioid Condenser Microphone
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I had been looking around for a good condenser microphone for recording acoustic guitar and a sales representative recommended this one. I absolutely fell in love with this microphone the first time I pushed in the 48v button for my Pro Tools rig. It's a great price for an excellent microphone, Shure has always made affordable go to microphones especially for live performance ie the 57 or the 58. I really like the roll off switches, I don't use the db switch because on my pre I have a pad that I rarely use on an acoustic guitar. I usually place this mic at the 12 fret and use a vocal condenser as a room mic for the stereo effect, so far the work has turned out very well. I would recommend this microphone to someone looking above maybe that entry level or would like to produce there own music.

Click Here to see more reviews about: Shure KSM 137/SL End-Address Cardioid Condenser Microphone

Versatile, durable, and precise, the Shure KSM137 end-address condenser microphone is an outstanding microphone for instruments ranging from percussion to wind, strings to brass, and piano to guitar. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.

Key Features
A highly consistent cardioid polar pattern
Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar diaphragm for superior transient response
Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
Premium electronic components, including gold-plated internal and external connectors
Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect

Performance Characteristics
Extended frequency response
Low self-noise
Exceptional reproduction of low-frequency sounds
Can withstand high sound pressure levels (SPL)
High output level
No crossover distortion
Uniform polar response
Superior common mode rejection and suppression of RFI (radio frequency interference)

Applications Some typical applications for the KSM137 are listed below. Microphone use is a matter of personal taste and the KSM137 may be used for a variety of applications other than those listed.
Acoustic instruments -- such as piano, guitar, drums, percussion, strings
Wind instruments -- brass and woodwind
Low frequency instruments -- such as double bass, electric bass, kick drum
Overhead miking -- drums or percussion
Ensembles -- choral or orchestral
Room ambiance pick-up -- guitar amplifier or drums

Specifications
Type: Permanently Biased Condenser
Frequency Response: 20­ to 20,000 Hz
Directional Polar Pattern: Cardioid
Output Impedance: 150 ohms (actual)
Attenuation Switch: 0 dB, 15 dB, or 25 dB attenuation
Low Frequency Response Switch: Flat; ­6 db/octave below 115 Hz; -18 dB/octave below 80 Hz
Phantom Power: 48 Vdc +/- 4 Vdc (IEC­268­15/DIN 45 596), positive pins 2 and 3
Current Drain: 4.65 mA typical at 48 Vdc
Common Mode Rejection: ≥50 dB, 20 Hz to 20 kHz
Sensitivity (typical, at 1000 Hz; 1 Pa = 94 dB SPL): -37 dBV/Pa
Self­noise (typical, equivalent SPL; A-weighted, IEC 651): 14 dB
Polarity: Positive pressure on diaphragm produces positive voltage on output pin 2 relative to pin 3
Weight: 3.5 ounces


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5/12/2012

Digidesign Mbox 2 Micro Review

Digidesign Mbox 2 Micro
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The first issue you have to address when considering this product is do you actually need or have a use for it? As I compose music the answer for me was yes, when I am outside of the studio or home I needed a way to create music. This device is very handy if you have a laptop and you don't need to record anything yourself. It is create for writing midi tracks and playing with loops or other various activities like adding effects to your pre recorded tracks. This is an instrument to make your current rig much more mobile and that's about it. I enjoy taking my laptop outside and just writing a midi track to the beautiful scenery. This device actually makes me want to take a train to work because I would just be more productive. Also it is a great way to upgrade your pro tools system if you haven't made the jump to 8.0. If you have I would suggest waiting until the next update unless you are in dire need of writing or mixing away from your stationary rig.

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5/03/2012

Sterling Audio PHP1 48V Phantom Power Supply Review

Sterling Audio PHP1 48V Phantom Power Supply
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This is a fantastic little unit. It makes my mic sound much better- not because of any crazy circuitry, but because the mic is fully powered. Many phantom power supplies are shared and weak (like USB powered audio interfaces etc), so this thing really gives it the juice it needs.
Built like a tank and cheap. Perfect combo. Thanks Sterling Audio!

Click Here to see more reviews about: Sterling Audio PHP1 48V Phantom Power Supply

The Sterling Audio PHP1 Power Supply provides stable 48V phantom power for one condenser microphone. Meets DIN 45596 standard.

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4/20/2012

Tascam DP-004 Pocketstudio Digital Recorder Review

Tascam DP-004 Pocketstudio Digital Recorder
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As a songwriter who needs something that will allow me quickly to jot down song ideas and fragments, as well as completed songs, this unit is a little cumbersome. In order to create a song, you must do the following:
1. Turn on unit
2. Press "Menu" button
3. Scroll to "Song" menu item
4. Click a function button to select
5. Using the data wheel, scroll down to "Create"
6. Click a function button to select
7. Use data wheel to enter name of song one laborious letter at a time (optional step: you can forgo naming a song and it will be named "Song023" etc.)
8. Click "Home" button
9. Click "Rec" buttons for tracks 1 and 2 (assuming you want to record in stereo).
10. Click the record transport and play transport buttons together, to start the recording process (I'm assuming you have already set the input levels and want to use the built-in mics)
11. Click the stop transport button when you are done recording your song
12. Repeat steps 9-11 if you wish to overdub another voice or instrument on tracks 3 and/or 4.
13. Click "Menu" button, then "Play" to listen to playback
14. Click stop button at end of song
15. Click "In/Out" button
16. Click function key "Out" to set the out point
17. Click "Rec Mode" button
18. Using data wheel, scroll down to "Master Rec"
19. Click function key to select
20. Click the record transport and play transport buttons together, to start the recording process for the "master" track (this is simply a stereo mixdown of the four tracks)
21. Click "Rec Mode" button
22. Using data wheel, scroll up to "Multi Track"
23. Click function key to select
24. Click "Menu" button
25. Scroll using data wheel to "Wave"
26. Click function key to select
27. Scroll down to "Export Master"
28. Click function key to select
29. Use data wheel to enter name of song one letter at a time (optional step: you can forgo naming a song and it will be named "Song023" etc.)
30. Click function key to execute exporting of the master stereo tracks to the FAT partition of the SD card within the unit.
31. Attach unit to your computer via the supplied USB cable
32. Open folder to view the files on the Tascam
33. Click the "Wave" folder to find the master tracks you just created.
34. Go to a file conversion program to convert the ".wav" file to an ".mp3" file, so you can email it to your friends, etc.
Whew! Not exactly a quick, friendly, intuitive process!
What you want is a two-click process to start recording (as on my old mini-disk recorder), and then be able to connect to a computer to copy the file and convert. There are an awful lot of extra steps involved, but of course you are talking about four tracks, not just stereo, so there's just no getting around the necessity of the mix-down/mastering. What is a little odd and annoying are those extra steps to export the master to the FAT partition of the Tascam SD card (steps 27-30, above).
Also, since each song file must be loaded before you can listen to it, there is no way to play songs one after the other unattended, or zip quickly between songs like you can do on an iPod or CD player, to audition which is which (thus naming them is critical).
Anyway, a word to the wise if you want something quick and easy. You pay for the ability to make a multi-track recording. On the other hand, if you want something with great quality recording sound, ample storage (a 16 GB SDHC card gives you 1300 track minutes in the 8 GB partition you can create (the largest possible), very nice and senstive built-in stereo mics,
and something you can use to create an excellent mini-demo, then this will definitely do the trick.
TIP: Purchase a PSP-100 power adaptor. It is made for the Sony Playstation and is identical to the more costly PS-P520 Tascam says you have to buy (i.e., 5V, 2A, correct plug and polarity). I paid $5 for mine, not $30!

Click Here to see more reviews about: Tascam DP-004 Pocketstudio Digital Recorder


Smaller than a paperback book, the 4-track Tascam DP-004 Pocketstudio digital recorder is simple enough for students, songwriters and musicians who want to keep their recording process simple and creative.

Offering four tracks of CD-quality digital recording, the DP-004 can record two sources at once to the included 1 GB Secure Digital (SD) memory card. A built-in stereo condenser microphone makes it simple to record anywhere you go, perfect for concerts, rehearsals and songwriting inspirations. A pair of 1/4-inch jacks on the rear panel allow you to connect your own microphones or sources--you can even switch the inputs to guitar level for recording.

You can build up your arrangement until you've filled up all four tracks, and the Bounce feature allows you to consolidate tracks and make room for more overdub layers. Once you set levels and pan, record your mix onto a dedicated stereo master track. You're able to transfer your tracks and mixes to a computer over USB for CD burning and sharing online.

Key FeaturesConnections:
Two 1/4-inch unbalanced mic/line inputs
Switchable guitar input
Headphone/Line output
USB 2.0 connector
Recording:
Four-track digital multi-track recording
CD-quality 44.1kHz/16-bit WAV recording
Records to SD Card media (1 GB card included)
Repeat, Record undo
Dedicated stereo mixdown track

Physical:
Powered through AA Batteries or optional PS-P520 power adapter
Battery life: About 8 hours recording, about 8.5 hours playback (alkaline batteries)
Dimensions: 6.1 x 1.3 x 4.2 inches (WxHxD)
Weight: 2.8 ounces


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4/12/2012

Behringer C-1 Studio Condenser Microphone Review

Behringer C-1 Studio Condenser Microphone
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This thing is killer; throw in a pop filter and some sort of stand and you have an amazingly pro setup for not much. If like me you have tried using a different type of mic (like a standard dynamic mic) to record normal accoustic sounds like voice or non-amplified instruments, this thing will be way, way better. I can't compare directly to other condenser mics but do not perceive any fundamental drawbacks with this one, which is amazing given the price.

Click Here to see more reviews about: Behringer C-1 Studio Condenser Microphone

The C-1 is a cardioid condenser microphone designed to capture your sounds with incredible realism, sensitivity and accuracy. This condenser mic is an excellent choice for live and studio applications, and it's available at a price that will leave you with enough cash left over to secure other recording essentials.

What is a Condenser Mic? Condenser microphones are the ideal choice for capturing vocals and acoustic instruments. They're the primary type of microphone used in recording studios and radio stations. They are capable of capturing much more detail than dynamic microphones because of their wider, flatter frequency response. Another difference between condenser and dynamic mics is that they contain active circuitry that requires phantom power (+48 V DC) for operation. You can power them from any phantom power equipped BEHRINGER XENYX mixer, plus enjoy the benefits of our state-of-the-art XENYX mic preamps.
Why the C-1? The C-1 is an affordable, high-quality way to put this essential studio tool to work for you. Thanks to its cardioid (heart-shaped) pattern, the C-1 microphone picks up your source signal while rejecting off-axis sounds that can ruin an otherwise perfect recording. With its pressure-gradient, shock-mounted transducer and gold-plated XLR output, the C-1 is very neutral sounding and truly delivers on the promise of noise-free transmission.
With its exceptionally flat frequency response and ultra-high sound resolution, it's perfect for perfect for acoustic instruments, overhead, piano, and plenty more.
Built to Last The C-1 is built to be your go-to condenser mic for years to come. Its tough, die-cast body can withstand all the rigors of bleary-eyed late-night recording marathons. And with its rugged foam-padded carrying case, it travels in safety and style. We also included a swivel stand mount so it can be affixed to your studio's mic stands.
C-1 Specs
Transducer Type: Condenser, 16 mm
Polar Pattern: Cardioid
Connection: Gold-plated balanced XLR connector
Open Circuit Sensitivity: -33 +/- 2 dBV (0 dBV = 1 V/Pa)
Frequency Response: 40 Hz - 20 kHz
Max. SPL (1% THD @ 1 kHz): 136 dB
Nominal Impedance: 100 ohms
Load Impedance: >1 kohms
Supply Voltage: +36 - 52 V
Supply Current: 2.5 mA
Dimensions: Shaft: 54 mm, length: 169 mm
Weight: Approximately 0.45 kg

What's in the Box Behringer C-1 Studio Condenser Microphone, Carrying Case, User's Manual

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4/08/2012

Behringer C-4 Single Diaphragm Condenser Microphones 2 Matched Single Diaphragm Condenser Microphones (Price Per Pair, Only Sold In Pairs) Review

Behringer C-4 Single Diaphragm Condenser Microphones 2 Matched Single Diaphragm Condenser Microphones (Price Per Pair, Only Sold In Pairs)
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This is an excellent liitle set of matched mics.The kit comes with all the extra's to make using them a snap.I have already recorded with them and the sound quality is fantastic.Zero feedback from these little gems makes them a pleasure to use.

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2 Matched Single Diaphragm Condenser Microphones (price per pair, only sold in pairs)

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3/24/2012

Cardioid Dynam Handheld/stan M Review

Cardioid Dynam Handheld/stan M
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I own several Audio Technica microphones and accessories in my recording studio and even though I don't have a PRO63 among my gear, I'm sure this item follows the same quality standards as all their other products. What one must bear in mind is that this is a DYNAMIC microphone, so it's ideal for recording instrument cabinets or even loud vocals. In order to record acoustic instruments one must employ a CONDENSER micrphone, which has a wider frequency response (it's highly sensitive) making it susceptible to even the faintest sounds. For those who need to record acoustic instruments such as violins, acoustic guitars, mandolins, etc, I recommend the Audix Fusion 15 Mic. I have two of them in my studio, they're affordable and produce wonderful results!

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Ideal for amplified and acoustic instrument pickup, as well as general use, the PRO63 offers natural audio reproduction, low noise and rugged durable construction.

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3/23/2012

Samson C02 Stereo Pair Condenser Microphones Review

Samson C02 Stereo Pair Condenser Microphones
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[Edited for usefulness on 11/15]
I can't bring myself to be super-critical of the Samson C02, because in spite of my occasional dissatisfaction it does have a lot going for it. I've had my pair for about a year, and I use them frequently as overheads on the drum kit, on acoustic guitar, and as "room sound" mics for vocals.
For the latter two applications they are adequate, or at least I can't complain. Unfortunately as drum overheads they have been disappointing, and this is what I primarily wanted to use them for. To my ears they sound a little thin and lack presence and clarity, especially on cymbals. I like the overheads to get a detailed overall picture of the drum kit, so that's a drag. Another bummer is that there are no switches on the mic - something like a bass cut or -10dB pad would have been nice. Without a pad switch, putting this mic under a snare drum is a recipe for disaster. Or maybe you could just ask the drummer to play quieter?
So I guess when it comes to small-diaphragm condensers I still haven't found what I'm looking for. The bad news is that the $400-$700 price bracket is apparently where I have to look next. On most of my projects over the last year I have been able to use a famous similar type of microphone made by AKG, and the comparison is not exactly flattering. Of course, a pair of AKG's "Microphone X" costs about ten times what you're looking at here. And maybe we've come to the root of why it's hard for me to say a lot of nasty things about my Samson CO2s. They are so, so cheap for what you get, namely: a pair of condenser mics, two mini shock-mount/mic clips, two windscreens, and a sturdy, padded plastic carrying case. My griping aside, these things do a borderline-acceptable job as overheads, and in other applications (such as acoustic guitar) they are quite useful. I would probably recommend them to beginning engineers, people on a recession budget, or to anyone looking to keep a couple of budget mics on hand. More serious project studios and home recordists might want to save up for something a little nicer.

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Samson C02 Condenser mics let you capture and record all the ambience and dynamic depth of acoustic guitars, piano, overhead drums, acoustic instruments, and vocals - in stereo! C02 microphones can be used either individually or in pairs for stereo recordings, neck and sound hole placement for miking acoustic guitars, and low/high octave placement in acoustic pianos. The C02 is an extremely sensitive cardioid condenser (10mv/pa) with an expanded frequency response of 40Hz to 20kHz and a maximum SPL of 134dB. What's all this mean? It means that the C02 delivers professional performance at an incredible price and will make a dramatic difference in every recording. C02s are shipped in pairs with shock mounts and a molded, foam-lined carrying case. 48volt phantom power required.

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3/05/2012

Behringer C2 Condenser Microphone Cardioid Review

Behringer C2 Condenser Microphone Cardioid
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Normally I'm not a big fan of Behringer products. They tend to be less expensive, often cheap, copies (or very near copies) of much better equipment. They and Mackie had quite a number of shootouts over the years.
However, when it came time to get a bunch of choir microphones for outdoor PA venues, I just couldn't bring myself to plop $150 or more per mic. I only use these things 4 times a year generally and couldn't justify the $$.
So I picked up a set of these C-2s to test at my local retail music store. I was very impressed, to say the least. They're well made, have standard built-in flat/base-roll-off/-10db cut switch on the side. Very handy in gazebos and the like where the base is a big problem due to natural reverb and feedback.
I ended up getting 4 boxes (8 mics) initially and used them for the concerts with excellent results. I just put them up overhead about 7'-8', aim them outward from each other at about 45 degrees, and run each to a channel on the board. That way, I keep track easily of where each is and, when a horn player or such stands to play a solo, I can jump the correct channel easily and pump them up as needed.
This purchase is to up the ante to 12 mics since the bands turned into 60 or more piece orchestras this year. It just helps to have more coverage sometimes.
Again, for the price, these cannot be beat. I dare anyone to discern a 5x or more improvement in sound between these and the more expensive mics. Of course, if it's studio use you're interested in, you can definitely hear a difference but it's still questionable that the difference is important enough to warrant the extra $$. After all, >90% of all recorded material these days is listened to on iPods or the like and the digitizing and compression encoding technology damages the quality of recording much more than the tiny differences between these mics and the $$ ones.
Get 'em - you'll like 'em.

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2 Matched True Condenser Microphones (price per pair, only sold in pairs)

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11/25/2011

MXL USB007 USB Stereo Condenser Microphone Review

MXL USB007 USB Stereo  Condenser  Microphone
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As a music director, I bought this for its portability to record concerts in stereo. Just hook it up to a laptop computer (plugs into a USB port) and record away - anywhere! The resulting WAV file is already on the computer ready to tweak in Sound Forge. The stereo sound quality is rich and accurate. We have been very impressed.

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MXL Introduces the World's First USB Large Gold Diaphragm Stereo Condenser Mic. It's like having a recording studio in a mic. No mixers, pre-amps, or expensive studio gear. No mixers, preamps or expensive studio gear. No special software or drivers, just plug in to your portable or desktop computer, set your preferences and enjoy instant studio quality recordings. The mic uses dual gold diaphragm capsules in a XY pattern together with low noise electronics and the latest in enhanced digital conversion techniques for pristine audio quality. In a demonstration CD a vintage acoustic guitar was recorded with a famous studio mic going thru high quality studio gear to a hard disk recorder and then was compared to the MXL USB.007 recorded direct to a standard computer. The results were nothing short of amazing; the MXL USB.007 sounded like a pristine direct to disc recording while the studio mic sounded nice but lacked punch or detail of the USB mic. Because of its high quality and ease of use the new mic opens up new possibilities for direct stereo recording with a standard computer such as live performances in the professional, school and home environment. It's also a very exciting tool for podcasts, multimedia, news and broadcast applications using portable computers for remote stereo recording of concerts, lectures, or even documenting outdoor sounds in stereo for film and and sharing with friends and TV backgrounds. Imagine the fun of recording performances and sound effects from anywhere in the world on a portable computer in full stereo and sharing with friends and associates. The MXL USB .007 comes with a carry bag, a desktop mic stand, mic stand adapter, a 10-foot USB cable, wind screen, owners manual and an applications guide. The new MXL USB mics usher in a new era of high quality recording never before achieved without a studio. It completely redefines what users can do on their computers opening up a new world for the audio, computer and broadcast industries. All New MXL Microphones are Designed in Our HDTV Design Center inLos Angeles, CAand are wired with MOGAMI.

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