Showing posts with label korg. Show all posts
Showing posts with label korg. Show all posts

6/26/2012

Peterson V-SAM Virtual Strobe Audio Metronome Review

Peterson V-SAM Virtual Strobe Audio Metronome
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I am called on to tune harpsichords, and this is often done using unusual temperaments and pitch standards far from A=440Hz. I formerly used the excellent Korg MT-1200, because it could be programmed to any temperament, and because it allowed a very wide range of pitch standards (I often need to tune to A=411, for example). Korg has discontinued the MT-1200, replacing it with the model OT-12, which has most of the same features but is not programmable. When the MT-1200 that I used went bad (its memory chip failed, so it needed to be re-programmed every time I used it, quite a hassle), I went on a search for something else that would do the job.
After consulting with harpsichord players, builders, and other experts, I learned about the Peterson V-SAM. None of my experts had actually used this tuner, but had heard that it was an amazing new device that was great for harpsichords. I called Peterson (for a very long time known as a venerable manufacturer of stroboscopic tuners) and their sales people confirmed that the V-SAM was excellent for this kind of instrument. I let my experts know what Peterson had told me, and so they independently bought V-SAMs at the same time I bought mine.
About a week after I got my V-SAM, I started getting calls from the others. Nobody could make the V-SAM work with harpsichords. It was unstable, and would frequently not even recognize that a note was being played on the instruments. Suspecting a faulty unit or perhaps a faulty manufacturing run, I checked my V-SAM with some wind instruments. It worked fine. Several calls to Peterson tech support revealed that if I simply added an external microphone, the V-SAM would work great on the harpsichord. I tried hand held mics, clip on mics, and suction-cup mics, and nothing helped. The others had similar experiences.
Finally, I was able to talk to engineering at Peterson, and was advised that the V-SAM was never designed to work with instruments like pianos or harpsichords. They said the tuner was intended to be used with instruments that can sustain their tones, like violins and wind instruments.
I have since returned my V-SAM, as have all my associates. I want to stress that this is not really a fault of the unit...Peterson is a good company with a high quality product. The problem is that this design is not suitable with certain instruments that produce transient tones. Unfortunately, Peterson sales and tech support did not know this and led me astray. Likewise, most retailers simply parrot what Peterson says or implies in their sales capacity, and hence the bad information is kept circulating.
In my opinion the V-SAM is a fine product for most applications, but if you want to use it with instruments that produce tones that decay quickly, look elsewhere.


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The Peterson V-SAM' presents a combination of programmable Virtual Strobe' tuner, audio tone generator, and metronome in a hand-held format. It marries the revolutionary Virtual Strobe Technology', first introduced in the VS-1 tuner, with a new, brighter, high-contrast display. The high-output tone generator within the V-SAM offers 10 octaves of audible tones, which conform to a selected preset or custom temperament and are adjustable in 0.1 cent increments. This permits ear-training possibilities previously unavailable in a hand-held device.Versatile MetronomeThe V-SAM's audio/visual metronome allows tap or dial-in tempo, adjustable beats per measure, beat subdivisions, and a stopwatch function.Built to be BetterThe V-SAM's "tuner mode" expands upon the Peterson VS-1' with an even wider variety of alternate temperaments and the ability to select temperament tonal roots. In addition, the user can create and store custom temperaments and use them with the same flexibility as preset ones. The V-SAM automatically detects a note being played in real-time and is accurate to 1/1000th of a semitone. It can transpose displayed notes based on any of 12 scale notes.

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6/24/2012

Interactive Keyboard Review

Interactive Keyboard
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After searching for some time for a good piano tutorial software I ended up at Best Buy and, almost by accident, came across Interactive Keyboard written by Laurie Arthur. As a disclaimer, I am in no way tied to the promoter or the promotion of this product. My previous exposure to piano was limited to a group piano course at a junior college and some self-training, specifically with the old Miracle Piano Teaching System which is now obsolete.
I have been working with the program for a few days now and I believe I am developing solid technique beyond my prior education. The initial setup was tricky (program loaded fine on Windows '98SE but I needed a MIDI in/out cable-to-USB to hook up my antiquated Kawai KC10 Spectra synthesizer in addition to having to download a driver for the cable hookup, although any modern keyboard should adapt just fine) but once I got rolling I found the program both intuitive and fun.
The software package comes with a 222 page manual that is simply loaded with valuable information on technique, music theory, improvisational methods, proper form and exercises, and a host of other information, as well as "Fifty Famous Feels"; a variety of samples of music in different styles one can playback and with which one can play along.
The program seems geared toward the adult learner who is intent on getting a grasp of the piano in an accelerated fashion, though a bright child with some keyboard skills could benefit as well.
From the beginning, the program sets out what is required of the student and provides ample exercises at increasingly difficult levels, along with a "Comp-u-Pare" facility that enables one to record the recital of exercises (with or without the accompanying backtrack/rhythm) and test her/his skills and abilities. In addition, the software features musical notation of the exercises, a visual/virtual "keyboard" that plays the exercise, text explanations of the lessons (mirrored in the manual), and videos that show how to play the exercises.
There is more (including MIDI interface tools which I have yet to explore) but I can safely say this is one of the best programs available if one wishes to apply the learning methods to gain a solid understanding of the keyboard at a self-paced level. The writer(s) of this program have clearly done their homework in presenting the student with a valuable tool for grasping musical knowledge best presented on the piano keyboard. However, the instruction seems to go beyond the stoic, stodgy feel of personal piano lessons and slow-paced tutorial softwares into the realm of developing the keyboard player as a MUSICIAN and gaining the "feel" of what it is like to control the instrument instead of letting it dictate your actions and feelings.
If you are serious about learning piano and music, I believe this is the most thorough approach on the market.
Mike G.

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Comprehensivew tutorial uses MIDI connection and your PC to get you playing your music keyboard like a pro

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6/23/2012

Rocktron Banshee Talk Box Review

Rocktron Banshee Talk Box
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I bought this talkbox from Musicians friend here in Kansas city and I must say I love it. No tricky set up. You just simply plug in and play your instrument. I am a keyboard player and it makes my Yamaha DX100 sound amazingly great. I like the effects that you can do with the box. In the manual it is also explained very well about setting up. If you were to read the Rocktron description, it says that you can't distroy the driver. I have even spoken to a gentlemen at the company and he has said that he has turned up his box to the maximum volume. There is one let down in this review I do want to mention. I understand that guitarists have been using this effect. That's fine. I have no problem with that. But what about us keyboardists? Professional, and or hobbiests? Everyone is looking at this and saying that this can only be hooked up to a guitar, or bass. Wrong wrong wrong! This is also a talkbox for a keyboard. I mean sure, Roger Troutman, and Roger Troutman II have had different talkbox sounds, but, Roger Troutman II used the Rocktron when he recorded the second coming in 2000. So, don't look at this box just for guitarists, look at this box for keyboardists too!

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Bringing a cool, new twist to the outdated generation of complicated and risky talk boxes, the Banshee is a unique new product that gives classic rock touches to today's players. Although "talk boxes" have been used in the making of hit music (Aerosmith, Frampton, Joe Walsh, etc.) for years, many guitar players simply have not tried them because of their complicated and potentially damaging setup. Leave it to the stomp box gurus at Rocktron. The Banshee rocks, simply and safely. What makes the Banshee so unique is that it contains its own internal preamp, amplifier, and horn driver. You simply plug into the Banshee like you would any common stomp box, and run the provided "tubing" up the mic stand and into your mouth. The rest is up to your own imagination as you get the most incredible sounds from your instrument. And no more risk of blowing up your favorite amp head, (always a possibility with talk boxes of old). The Banshee's preamp section features controls for gain, tone, and output level. A wide range of clean and dirty preamp tones may be dialed in with plenty of saturation for those who desire lots of gain. Guitar World Magazine wrote: "The Banshee's high-gain preamp and focused tone control allow for excellent enunciation and sustain. With minimal practice, I was able to create clear words and open vowels, and I could readily see how anyone could become addicted to this effect." Not only does the Banshee scream in the talkbox mode, but Rocktron has also included an extra jack for hookup with an extension pedal speaker. Plugging a speaker cabinet to this output turns your pedal board into a perfect practice setup with enough volume to do some pretty serious cranking!Get your hands on the most unique product in years and let your creative juices flow! Or as Guitar World Magazine put it: "With a simple design and arena-worthy performance at a cool price, this Banshee is sure to send you screaming into the night.

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5/30/2012

Novation Remote 25 SL 2-Octave Soft Label USB MIDI Keyboard Review

Novation Remote 25 SL 2-Octave Soft Label USB MIDI Keyboard
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I just purchased the Novation 25 SL used for $130 on Ebay.
I must say it is a great value for the money.
When you use this little keyboard with Novation's Automap software, you can control most DAWs (such as Ableton and even Protools) in a primitive way, not like a full-blown surface controller, but you can use this keyboard to do things such as stopping and starting the transport, etc.
Another great feature is the touchpad, which is great when controlling VST's filter resonances and frequencies at once. You can also control most VSTs synths with Automap, using the various knobs, faders and buttons on the Remote 25 SL.
You can even use this keyboard as a stand-alone MIDI controller, without a computer, and without Automap.
The only drawbacks i can find with this unit are:
1-The LCDs are hard to read when the keyboard is sitting flat. I wish they would have angled the LCDs towards the user.
2-I was laughing when i read about the "Superb 25-key, semi-weighted, high-quality keyboard with velocity- and aftertouch-sensitivity"
I think this has to be some kind of marketing joke, because the keyboard on my Remote 25 SL certainly does NOT feel "superb" "Semi-weighted" or "high quality". It feels light, plasticky and very cheap, like something you can expect to play on a $20 casio synth. As a matter of fact, i opened the unit and the keyboard is not really semi-weighted but uses spring resistance.
But, hey, i didn't expect much for $130.
Anyway, i recommend this nice little keyboard, which is very useful in the studio, but when getting a used one, do not pay more than $150.
btw, this keyboard's successor, the Novation 25 SL mk. II is literally identical: same layout, same plastic shell, same cheap spring loaded keyboard, same buttons, knobs and faders, except the buttons and knobs light up, that is it.
The only difference between both units is are the main cpu board and the board that contains the knobs and buttons. The rest is identical.
The Novation 25 SL mk. II's lit knobs and faders will probably come in handy if you are playing live in a dark club, but i really don't see how this plastic keyboard can stand live playing and touring abuse without getting destroyed.
Not worth $300 in my opinion, specially when you can get a used, real weighted controller for a lot less.

Click Here to see more reviews about: Novation Remote 25 SL 2-Octave Soft Label USB MIDI Keyboard

Finally, producing in the dark is a thing of the past.The SL shines a light on the murky world of MIDI control by providing two huge, brightly lit LCD screens that display up to 16 control names and values simultaneously.Alongside this is the intelligent Automap Universal technology, which detects the sequencer and plug-ins in use and intelligently maps parameters to the SL's pots, switches, and sliders.With these award-winning features and a massive array of assignable controls, the SL takes the headache out of MIDI controlling, making music creation as spontaneous and exciting as it should be.Plug and Play USB connection with no drivers required for Windows XP or Mac OS X.A host of exciting software solutions, including Ableton Live Lite 6 and over 1.5 gigs of loops and samples.

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5/08/2012

Korg microSAMPLER Sampling Keyboard Review

Korg microSAMPLER Sampling Keyboard
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This sampler is the music tool I have been waiting for. finally a keyboard style sampler that you can bring anywhere and capture anything, no matter what style music you are into its a great tool for composing exactly what you want, I havent used it in a live situation yet, but it has been a great tool in my studio. Can't beat the price either.

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Korg microSAMPLER Sampling Keyboard; Delivers multi-mode sampling, resampling, Pattern Sequencing and over-the-top effects – and all under a fun-to-use intuitive interface.The latest addition to the Korg micro series serves up sampling with a powerful performance punch! More than just a sampler, the microSAMPLER is a complete sound design studio for creating up-to-the minute loops and phrases.The microSAMPLER hosts a solid complement of top-end sampling features to expand your creative potential. This full-fledged instrument offers fourteen-voice polyphony, reverse playback, editing operations such as Normalize and Truncate, and a Time Stretch feature that lets you change the tempo without affecting the pitch. Selectable sample rates of 48 kHz, 24 kHz, 12 kHz, and down to 6 kHz let you sample at rates beyond CD clarity or add in that Lo-Fi vintage vibe. Each bank contains 36 samples (a maximum of approximately 160 seconds of recording time for monaural samples at a 48 kHz sampling rate) and sixteen patterns of sequence data; the microSAMPLER lets you store eight such banks in internal memory. The Keyboard mode takes a single sample and assigns it chromatically across the keys for instant playability. With its recessed controls, bright LEDs and informative display, the microSAMPLER is fun to use and easy to operate – for beginners or seasoned pros.Too many instruments simply offer sampling as an added feature. The microSAMPLER is all about sampling, in every creative form. Five distinct sampling methods allow you to work the way you want, to get the results you need. The microSAMPLER offers traditional One-Shot and Loop sampling, plus a number of creative sampling modes – Loop, Key Gate and Auto-Next. When it comes to sampling, the microSAMPLER has it all.

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2/22/2012

Korg X50 61 Key Music Synthesizer Keyboard Review

Korg X50 61 Key Music Synthesizer Keyboard
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I've owned the x50 for a couple of years now and use it in my home studio. First of all is sound quality. The top of the line Korg series is the Triton keyboards, which cost thousands of dollars (depending on the model). This keyboard uses the same engine, so the sounds are quite similar to the top of the line model. In other words, incredible sounds.
So why is it less than a thousand bucks? First of all, it's not as customizable. Make no mistake, you can still tweak every sound, but it's not as easy or as in depth as the Triton series.
Second are the physical stats: 61 VELOCITY SENSITIVE, but NOT weighted keys. This means that you can still play with dynamic control, but there isn't the feedback one might be used to from a piano. The keyboard itself is very well constructed but mainly plastic. It will surprise you in it's lack of heft, but don't confuse that with cheapness. It's solid.
So why use this? The voices are amazing. I use it in my home studio to backup my guitar. For one song I wrote in a flute solo and then brought in a flautist to learn the song so she could play with me live. She commented on how good the flautist was who recorded for me. She didn't even know it was a keyboard.
The strings, piano and organ sections are particularly strong.
It's great for my studio since I'm not a pianist. It's exceedingly portable so it would be great for gigs too. It's really a great deal since you get thousands of dollars worth of voices for less than a thousand.

Click Here to see more reviews about: Korg X50 61 Key Music Synthesizer Keyboard

The Korg X50 music synthesizer features the HI (Hyper Integrated) sound engine that's used on the world-famous TRITON series. It gives you pro-quality sounds in an ultra-compact body. This keyboard synthesizer delivers unbeatable convenience and enjoyment for live performance or song production. The 64 MB PCM memory contains a wide range of sounds, including piano, strings, guitar, and synth sounds. With 512 sound Programs, as well as 384 ?Combinations? that let you use up to eight Programs together, you can start enjoying a diverse selection of great sounds right away. The effect section lets you simultaneously use four effects (one insert effect, two master effects, and one EQ), and provides a full selection of effect types such as reverb, chorus, and delay. Best of all, the X50 is compatible with Korg?s TR line of music workstations so you can share sounds and songs with Korg users around the world.The X50?s ultra-portable design also allows greater accessibility to musicians on the go without having to sacrifice quality.

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12/01/2011

Planet Waves Full-Function Tuner and Metronome Review

Planet Waves Full-Function Tuner and Metronome
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I'm a drummer, and this metronome does everything my other metronome doesn't do. There's little information about the metronome aspect of the product, so I will fill you in with the details :)
1. The tempo can range from 20 - 250 beats per minute.
2. You can select ANY subdivision you want from 1 to 32. If you want a beat to be subdivided into 7...no problem! 9? 15? 19? no problem. I was looking for this feature EVERYWHERE.
3. Volume control can get very low and soft...and the volume can also be controlled to be very loud! There's also an output to headphones.
4. Different meters: the metronome will allow you to accent a meter every 1 to 9 beats. If you want, you can also do time signatures that break the beat into multiple pulses like 2:3 (1,2,1,2,3, etc), 3:2 (1,2,3,1,2, etc), 4:3, 4:5, 5:6, 6:7 etc.
Overall, the metronome is best for a drummer who is working on odd meters and weird subdivisions. The only thing I haven't figured out, is how to get the metronome to play swung beats...then again, I can just stick to subdividing the beat into 3 or 4 :)

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The Planet Waves DeluxeTuner & Metronome is the ultimate all-in one musicians practice tool. An intuitive, patent-pending rotary LED interface is combined with a precision dual-mode sweep/strobe chromatic tuner and professional multi-function metronome. The lightweight, durable metal enclosure includes a pull-out easel for desktop use.- Intuitive patent pending 12-segment rotary LED display- Sweep and Strobe Mode Tuning- Full-featured Metronome - Full-range pitch pipe function- Sensitive condenser mic- 1/8 headphone jack- DC power input jack for optional AC adapter- Seperate mute and volume controls

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11/11/2011

Pyle-Pro PKST50 Round Padded Keyboard Bench (Double Braced, Folding) Review

Pyle-Pro PKST50 Round Padded Keyboard Bench (Double Braced, Folding)
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We bought this stool along with a Casio digital piano. It is well made, love the round shape instead of a square as you can really turn around with it in the room. No nonse, does the work and pretty stable.
How ever, I just want to warn you that even so it looks dark grey on the picture, it is in fact black.


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This versatile bench is perfect for drummers, guitarist, or keyboards players. Padded for comfort -- this round, adjustable stool is easily able to fold up for transportation or storage. Ideal for gigs or home use, Pyle Pro's unique design provides comfort to the musician for hours.

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11/10/2011

Seiko SAT1100 Chromatic Tuner Review

Seiko SAT1100 Chromatic Tuner
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When I started measuring the cent deviations of certain musical notes, I first used the KORG OT-120 tuner.
After a while I noticed, that OT-120 diplays a too large cent deviation if the pitch is not exactly at the
center of the scale. Then I ordered a second OT-120, and that unit had the same reading errors.
Quickly I returned the second KORG OT-120 to the seller, the first unit is out of warranty already.
Fortunately I found that SEIKO model SAT1100 tuner.
The Seiko has a better microphone response, furthermore it has a much a better input filtering than the KORG OT-120.
Higly dynamic guitar string picking does not cause erratic needle movements and the reading is quicker to take.
Tuning to 1 cent accuracy is conveniently achieved.
The SEIKO SAT1100 does only offer equal temperament tuning. For other temperaments you must have the tuning pitch tables available. Since the needle pointer is very stable, tuning off scale pitches is as easy as it can be.
Other SEIKO tuners, eg. the SAT800 display the cents tuning deviation as digital needle pointer and additionally they display the value in digital numbers in steps of 1 cent. The analog needle of the SAT1100 allows for finer resolution,
watching small changes as they occur, while the LCD types jump from cent to cent but are easier to read.
The only negative comment I give is about the design of the SAT1100 case and cover and the lack of a good table stand.

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Chromatic tuner

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10/11/2011

Korg nanoKEY 25 Key USB Controller Keyboard, White Review

Korg nanoKEY 25 Key USB Controller Keyboard, White
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The Korg Nano Series is, quite simply, among the most useful sets of tools ever produced for the COMPUTER... Let me say that word again: "COMPUTER."
I write, arrange and orchestrate music for a living. The nanoKey, in particular, is a lifesaver! It's portable, so I can stuff it into my laptop bag when I'm on the road. It works seamlessly with Finale, Encore and - my personal favorite - Sibelius (the "Big 3" of notation programs). It isn't as convenient for real-time sequencing, unless you've developed "the touch." It took me a while to get used to that, but I do play scratch tracks in Logic and Sonar, on occasion.
Anyone considering the purchase of this device should realize up front that it isn't really designed for stage performance, etc. It's best suited for computer entry. In fact, it's PERFECTLY suited for computer entry.
...and for fifty bucks it's WAY ahead of anything else!

Click Here to see more reviews about: Korg nanoKEY 25 Key USB Controller Keyboard, White


The nanoKEY is an ultra-compact keyboard controller, featuring a great-feeling 25-key velocity-sensitive keyboard that's ideal for song production. Each key on this USB-MIDI controller can also be set to send MIDI control data, further expanding its power.


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10/04/2011

Korg SV-1 Stage Vintage 88 Key Stage Piano Review

Korg SV-1 Stage Vintage 88 Key Stage Piano
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Amazon is, perhaps, not the best forum for this review, but what the hoo. I've done so many reviews here that i may as well not stop now.
I acquired this instrument about a month ago and have taken it through its paces (including updates). You'll read elsewhere that the SV-1's sounds are mostly superb with the minor disappointment being its organ sounds. I do agree with those reviews and because of the updates I've been able to replace some of the sounds. The two transistor organs (the Vox Continental and Farfisa) are history. I have no need for 'em. The 6 organ sounds I now use are three of the Hammond jazz type and three of the 3/4 to full bar/registration type. In essence I can go from Jimmy Smith/John Paul Jones cool to Jon Lord/Rick Wakeman thunder.
I haven't replaced the stock pianos (Yamaha C7 & Steinway) because they sound fine - not great but fine. I still recommend these ppianos because I've auditioned several hi-end sampled pianos and NONE of them sound like the real thing. About the only "electronic" paino I've heard that makes me shiver me timbers is the modelled piano Pianoteq. It's chock full of character, depth and warmth that simply cannot me "snapshot" sampled. At least Korg makes an attempt by using a "hologram" 3D sound concept. Which brings us to their electronic pianos.
The included clavs (a little thin but still recommended), the Fender Rhodes and Wurlitzer 200A sounds will make you **** your pants. They sound so realistic - warts and all - that it's scary. When you play a tune on one of the pianos then switch, for instance, to a Wurlitzer it's as if you've simply just played a real piano, turned on your bench to the right, and started playing a Wurlitzer. Eerie.
Much has been said about its digital effects and real tube sound. A keyboard with an actual built-in tube pre-amp/power amp. How cool is that? So far I've made this keyboard sound like the holy grail of stage pianoss, right?
It's of personal taste but some organ players might be turned off my the real weighted piano keys. They might also be turned off by the lack of drawbars. I'm confident that as more sound sets are developed by Korg, and as its editor gets improved upon, the shortcomings in the organ will be lessened.
Unlike, say, Korg's own M50, you need a computer to edit the internal sounds. Kinda inconvenient if you're not attached to one out in the field. It's, of course, impractical to build that many knobs/parameters into the SV-1. Korg is hoping that you'll simply edit the sounds to your liking at home then take it out on stage as is. That concept may or may not appeal to all. This particular keyboard suits me (and my band) perfectly because its focus is real organic sounds not synthesized ones. I actually did have the 73-note version thinking I wouldn't miss the other 15 notes from the 88 version - but I did. I couldn't live without the full piano-sized version. I felt like I was selling myself short.
So, really, just for the Wurlitzer and Rhodes sounds alone the SV-1 is worth the price. The 88-note Yamaha & Steinway is simply icing on the cake. Highly recommended.
P.S. One final but extremely important note. It doesn't matter how great your keyboard sounds if it's played through a crappy or inappropriate system. I've read where users have lamented about the piano's one-dimensional sound on a guitar amp. Duh! Actually, even through some keyboard amps, the sound is still lacking. In my home I plug the SV-1 directly into a pair of Alesis powered monitors (USB 520). The sound is excellent. Live on stage I plug into the mains so the sound is clear. I can't understate the importance of a good sound system. 'Nuff said.
Addendun: January 15, 2011. Oops! Amazon has a photo of the Korg SP-250 above instead of the the SV-1.

Click Here to see more reviews about: Korg SV-1 Stage Vintage 88 Key Stage Piano

The Korg SV-1 Stage Vintage Piano is a performing ivory ticklers dream machine. Its hammer-action full-cut weighted keys will satisfy even the pickiest of traditionalists, and its timeless vintage-inspired sound set is in a class all by itself. Lets take a listen to whats under the hoodAvailable in either 73 or 88 keys, the Korg SV-1 is loaded with 36 sounds concentrating on stunningly authentic-sounding acoustic pianos as well as tried-and-true meat-and-potato sounds encompassing the history of keyboard-based performance. Vintage electric pianos, funky clavinets, classic and instantly recognizable organs, string machines and, of course, pianos are all here at your beck and call, all at the touch of a button.Korg put a lot of work into the details of this fine instrument, recreating not only the authentic tone and timbre of sounds you know and love, but the intricate details that comprise the sound of playing these vintage keyboards. All this attention to detail results in an unbelievably realistic playing and listening experience.Dedicated knobs and buttons, all laid out ergonomically across the front panel and easily within reach take the place of backlit displays and menus, resulting in a satisfying, organic (if not orgasmic), hands-on performing experience.You can further enhance your sound using the onboard signal processing. Theres a 3-band EQ, compression, chorus/vibrato, tremolo, and wah. Plug in a sweep pedal such as Korg's EXP-2 or XVP-10 and have full control of the wah effect. Funky! Engage one of the amp models to simulate playing through a cabinet (complete with noise reduction). Onboard are multiple amp heads and speaker cabinets adding color and drive to the already rich detailed sound. Pass through Korgs Valve Reactor circuitry and add some authentic tube warmth to the signal. An end-of-the-chain limiter will keep things under control and provide a nice even sound across the full spectrum of sounds.The Korg SV-1 Stage Vintage Pianos outputs...

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8/14/2011

Akai Pro LPK25 Laptop Performance Keyboard Review

Akai Pro LPK25 Laptop Performance Keyboard
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Akai Pro LPK25 Laptop Performance Keyboard
OVERALL IMPRESSION: NOT A TOY! This is an excellent songwriting tool, that makes music making on the go a reality. Not intended to replace your main MIDI controller.
DISCLAIMER: I am an amateur musician making songs mostly to share with family and friends. Also, guitar is my native instrument, and my keyboard skills still leave much to be desired. That being said:
I LOVE THIS DEVICE!!
PROS:
-PORTABILITY AND SMALL FOOTPRINT. I can take this thing with me anywhere and it does not take much space in my laptop bag or work-surface. I have a 20"x20" wood board that I use as a work-surface for my laptop, mouse, LPK25, and headphones. Using that setup I composed whole songs in my bed, sofa, dinner table, backyard chair, passenger seat of my car (at work during lunch time), hotel room, in-laws house...you get the idea. I also have a room with a full size desktop piled with recording equipment in my house, but I only use that setup for recording vocals, guitars, mixing, and mastering (when I have time). Most of my music creation is done with the LPK25 and my laptop.
-PLAYABILITY. Although the keys are small they are still comfortable to play without hitting more than one note at once with each finger (and I have thick fingers). The keys also have great sinth-like action.
-BUILT-IN ARPEGIATOR. I am a novice at using arpegiators but I have found the built-in arpegiator on the LPK-25 very useful and simple to use. An excellent tool to develop ideas, particularly if you (like me) are lacking serious keyboard skills.
-USB POWERED. No power brick required, and it does not drain my laptop's battery quickly either.
-PLUG & PLAY: No drivers to download and fuss with.CONS:
-VELOCITY RANGE NOT AS WIDE AS I WOULD LIKE. The difference in loudness when you press a key fast/hard VS. soft/slow is not as noticeable as more expensive controllers I have used in the past. If you are a very expressive player you won't like it this very much.UNKNOWNS:
-QUALITY & LONGEVITY: I have only owned it for a few months so I don't know how well it will stand to the test of time. But that being said as far as I know AKAI products are pretty reliable, and well built, and this product feels solid.
FINAL NOTE: Although this will be obvious to most, I think it is worth mentioning that this is a midi controller and NOT A STAND ALONE KEYBOARD. The unit makes no sounds of its own and you need a separate computer program (i.e. virtual instrument) to use it.
UPDATE 12/08/2010: I am happy to report that as of today (12/08/2010) my Akai LPK25 is still working as good as the day I bought it.

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Create melodic and harmonic riffs in seconds, anywhere, with the Akai Pro LPK25 Laptop Performance Keyboard, a scaled-down relative to the MPK series of keyboard performance controllers. Made up of 25 miniature, velocity-sensitive keyboard keys with synth action, the LPK25 is a great choice for keyboard players who want to work with software on their computer. Measuring less than 13 inches across and weighing less than a pound, it easily fits into a laptop case, backpack or messenger bag for extreme portability.


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7/24/2011

Korg nanoKEY 25 Key USB Controller Keyboard, Black Review

Korg nanoKEY 25 Key USB Controller Keyboard, Black
Average Reviews:

(More customer reviews)
The Korg Nano Series is, quite simply, among the most useful sets of tools ever produced for the COMPUTER... Let me say that word again: "COMPUTER."
I write, arrange and orchestrate music for a living. The nanoKey, in particular, is a lifesaver! It's portable, so I can stuff it into my laptop bag when I'm on the road. It works seamlessly with Finale, Encore and - my personal favorite - Sibelius (the "Big 3" of notation programs). It isn't as convenient for real-time sequencing, unless you've developed "the touch." It took me a while to get used to that, but I do play scratch tracks in Logic and Sonar, on occasion.
Anyone considering the purchase of this device should realize up front that it isn't really designed for stage performance, etc. It's best suited for computer entry. In fact, it's PERFECTLY suited for computer entry.
...and for fifty bucks it's WAY ahead of anything else!

Click Here to see more reviews about: Korg nanoKEY 25 Key USB Controller Keyboard, Black


The nanoKEY is an ultra-compact keyboard controller, featuring a great-feeling 25-key velocity-sensitive keyboard that's ideal for song production. Each key on this USB-MIDI controller can also be set to send MIDI control data, further expanding its power.

The Korg nanoSERIES The Korg nanoSERIES provide a keyboard controller, a pad controller, and a studio controller with dedicated transport controls. Each of these USB-powered, slim-line controllers is designed to make the most of your valuable studio space, and is small enough to take with you on any musical journey. Place one of our keyboard controllers in front of your laptop, rest a pad controller on your music workstation, park a studio controller on your recording console--or anywhere else you need versatile control over your DAW, virtual instrument, effect or DJ software. Although small in size, all three nanoSERIES controllers go huge when it comes to functionality, yet their intuitive layouts provide extremely easy operation for any user.

nanoKEY--A Flexible MIDI Keyboard Controller That's Smaller Than a Laptop KeyboardWhen Korg set out to build a slim-line MIDI controller keyboard, they utilized their years of experience in manufacturing innovative MIDI keyboards to create a great-feeling, velocity sensitive keyboard based off a laptop keyboard. The resulting 25-note keyboard on the nanoKEY will transmit your playing dynamics to your software accurately and expressively. In CC (Control Change) MODE, the keys become MIDI controllers, allowing you to control any MIDI assignable parameters within your software.

The Octave Shift function offers immediate access to the entire MIDI note range. Pitch and modulation buttons are also provided, giving your performances the kind of expression that you would expect from any controller regardless of its size.

What's in the BoxKorg nanoKEY, USB cable, and Owner's Manual.


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